Cover for No Agenda Show 1902: The MTV Chronicles
September 10th • 1h 49m

1902: The MTV Chronicles

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0:00
Adam Curry. It's Thursday, September 10th, 2026. This is your
0:04
award-winning Gitmo Nation media assassination, episode 1902. This is no
0:10
agenda. I am traveling back from Rotterdam, the Netherlands, to
0:16
Austin and then back to the hill country. So today,
0:18
for episode 1902... Special, best of, no agenda, these are
0:24
the MTV Chronicles. Enjoy! I am lead for manned traffic.
0:25
That's one small step for man, one giant leap for
0:38
Anyways, I do have one print story if you're interested.
0:39
mankind.
0:49
I do have one print story if you're interested. I
0:52
think we'd share one with the No Agenda audience. one
0:57
And this relates to... I think it was 90, 1991.
1:02
And I was in Minneapolis. And I sent you the
1:05
link for this earlier, John. I was, it was probably
1:09
one of the, I've only done three commercials for real
1:13
products back in the heyday when I was Mr. MTV
1:16
guy. And one of them was for Sam Goody Musicland,
1:20
which no longer exists. It doesn't exist anymore. It's gone,
1:23
right? I'm pretty sure it's gone. And the biggest store
1:28
is at Mall of America, which, of course, is in
1:30
Minneapolis. Oh, I didn't know that. That was not the
1:32
biggest store. It was in Manhattan. At the time. And
1:36
that's where it was going to be done. The store
1:38
was huge. And so it's kind of like a spinal
1:41
tap where I'm pretending to be on a tour, some
1:45
fantastic tour. You know how all these commercials, they always
1:49
have to have a slide so you can put the
1:53
current offers on it. And so with almost like a
1:56
completely different voice in the commercial, you hear blank. Like
2:01
the Bengals. Milli Vanilli. You know, like all these great
2:05
people I'm on tour with, but it's really, it's the
2:06
Sam Goody Music Land tour. And, you know, I'm going
2:10
around, running around backstage and kind of like spinal tap.
2:13
This is the best concert I've ever been on. And
2:14
then I go to the stage, open the doors, and
2:16
then, of course, I open into the store. And that's
2:21
the stage or something. How creative. It's in the show
2:23
notes and it's one of the lamest things you've ever
2:25
seen. It fits perfectly. It paid. Not very much, but
2:30
it was, I think it was maybe. It was a
2:33
buyout, maybe $5,000, maybe. It was, you know, not a
2:38
good deal, but back in the day. Anyway. So I
2:42
was there for three or four days and the second
2:45
night, it's a quarter to midnight, I'm in the hotel
2:47
and it was a professional shoot. Everything was really well
2:52
done, a nice hotel room and the phone rings at
2:55
11:45. I pick it up and say, "Yeah, hello, is
2:57
this Adam Curry?" Yeah. Prince wants to know if you
3:01
want to come to a party at his house tonight.
3:04
And I say, let me think about it. Yeah. And
3:09
he's good because the car's downstairs waiting for you when
3:11
you are. I'm like, this is classy. And this, you
3:14
know, this is the 91. What was I? I was
3:17
in the late 20s. And holy shit. Sure enough, there's
3:20
a car, you know, black town car downstairs. And the
3:24
guy's just no word spoken, just get in, takes me
3:26
off. And then, you know, we go towards what people
3:29
have now seen on the news along the highway. There's
3:31
Paisley Park, and it's all lit up in purple. And
3:34
it's, you know, drive up to the gate. The gate
3:37
opens and go in, and there's metal detectors, which in
3:41
91, metal detectors at the airport was, you know, kind
3:46
of like throw your keys down, you know, your shoes
3:48
would never go off or anything like that. It wasn't
3:51
all that. you know like but it was odd you
3:54
never saw metal detectors anywhere else except at the airport
3:57
back in those days so go into this completely white
4:02
room everything's white and it's the lighting's a bit dim
4:05
but it's just all you see is white there's no
4:07
real color uh it's a uh you know it's a
4:11
uh rectangle so on one side like the short side
4:13
of the room there's a uh a dj standing kind
4:17
of on built-up ironworks you know it's like scaffolding and
4:21
he's playing some Prince tracks I've never heard in my
4:23
life before. Along the long side of the room, there's
4:26
a buffet from end to end, and it's nothing but
4:29
fresh fruit and juices. There's no alcohol, no alcohol, no
4:34
anything else, all just fresh ice sculptures, dripping stuff, and
4:38
wall-to-wall beautiful people, maybe 70 or 80 people. And this
4:43
is what heaven's like, obviously. Beautiful people, healthy food. And
4:48
it's in Minnesota, who knew? And I saw that there
4:53
was one or two of the extras from the commercial,
4:55
of course we're all beautiful, from the commercial shoot were
4:58
there. Like, hey, how are you guys doing? Yeah, yeah,
5:01
yeah. So we're hanging out and Prince was standing over
5:03
next to the DJ kind of hanging out just off
5:06
to the side by himself. I said, I'm going to
5:08
go over and thank him for the party. And they
5:10
went, no, no, no, no, no, you can't do that.
5:11
You can't do this. What are you talking about? No,
5:13
no, no, it's, uh, you're too tall and you're too
5:16
white. I'm like, are you kidding me? This was really
5:21
the perception. You really shouldn't go talk to him at
5:23
all. I was like, fuck that. I go over. I
5:26
say, hey, I'm Adam. Thanks for inviting me. This is
5:28
very cool. He says, hey, good you came. I love
5:31
the thing you did on Halloween with your daughter. That
5:33
was fantastic. I really loved how you scared her, but
5:36
she was kind of having fun. He had seen everything.
5:39
And observation, he didn't come across as timid or shy.
5:45
Sure, he was wearing boots, but he also didn't come
5:47
across as like some miniature man. Just seemed pretty, pretty
5:51
normal. Yeah, and then I really didn't have much left
5:54
to say. I was like, hey, man, well, all right,
5:55
well, thanks. Yeah, enjoy. That was it. And then maybe
5:59
an hour or so later, you know, 2 a.m., the
6:02
party's over, which is signified by Prince's guys coming through
6:08
this room saying nothing, just kind of walking slowly amongst
6:11
everybody, flashing their flashlights on the ground. And everyone just
6:16
kind of flows out and the car was still there
6:18
waiting for me took me back And now that was
6:21
his little private concert hall. He had in there. Yeah.
6:23
Yeah, how big was it? It was really high, so
6:28
I'd say it would be like... uh like the size
6:31
of an aircraft hanger for um but not you know
6:35
for more like a a gulfstream not for a not
6:38
for a seven series anything but really high so about
6:41
that size and and the same type of high school
6:43
gym Three-quarters that size. The high school gym? Yeah. So
6:52
it was a medium-sized little hall. Yeah, it wasn't any
6:56
huge one by any means. um And there was this
7:00
other time that I stayed at Dan Hartman. Remember Dan
7:03
Hartman? Do you remember him? No. He had Relight My
7:06
Fire, I Can Dream About You. You don't remember? No.
7:12
Oh, how about Edgar Winter, Free Ride? Do you remember
7:15
that? Oh, yeah, of course. He used to play in
7:17
the city a lot. And Dan played bass for them.
7:20
So I was staying at his house one time in
7:22
Connecticut. A friend of mine was recording at his studio
7:25
at home, which back in the early 90s, you had
7:28
an SSL studio at your house? That was crazy. But
7:32
he had bought this with the studio from someone else.
7:35
What's SSL means? Oh, Solid State Logic. Those were the
7:38
big, you know, the 24 or 48 track mixers before
7:41
we got into real full digital. But these were Solid
7:43
State. That was a big deal back in the day.
7:46
And he said, you know, I bought this place and
7:48
above the studio in the attic, I found all these
7:50
boxes and somehow these are all masters, Prince masters of
7:55
him in the studio, but you know, not mixed. It
7:58
was just the 24 track tapes. He said, I'll put
8:02
it on and listen to it. It was unbelievable. You
8:03
hear Prince, you know, setting his own mic, setting his
8:06
own levels. It was mind boggling how good, and shit
8:10
you never heard before or have ever heard again, I
8:12
guess. Who knows what will come out now. Yes. Did
8:15
you ever fly Concorde? No, I missed that shoot. I
8:19
flew that four times. Did you poop on it? Hell
8:22
yeah! Four times? What would be the point? Let me
8:26
tell you, though, it was not a luxurious poop. The
8:30
Concorde was very uncomfortable. It's like a little tube. I
8:34
could barely stand up in the entire plane, and the
8:36
seats are very narrow, although the legroom is nice, and
8:40
there's no movie, or there was no movie, because there
8:43
wasn't enough time to start the movie. So basically, you
8:45
just sat there getting warm because at a certain point,
8:48
about two hours into it, the fuel is depleted, and
8:51
the fuel was actually used, talking the past tense to
8:55
cool the aircraft down which extends in flight it actually
8:58
grows and to top it off i had a drunk
9:00
liza minnelli behind me chattering the whole way it was
9:03
annoying Life's tough. At least I didn't pay for it.
9:09
Do you know who is a huge collector of Texas
9:13
art, in particular Alamo-related art? No. Phil Collins. Wow, that's
9:20
odd. Yeah, and he has his whole collection. Su-Su-Studio? The
9:23
studio guy, yeah. Or one more. Well, the Genesis guy.
9:27
Phil. Phil Collins. We all know Phil. Phil. Phil hates
9:30
me. He hates you. Yeah. There was a period in
9:34
the 80s where we would always be bumping into each
9:36
other. I'd have to interview him if it wasn't, you
9:39
know, at some, at Wembley Stadium for some kind of...
9:43
um you know one of those benefit shows he would
9:45
be in my studio and then a certain point he'd
9:47
just say oh curry too tall too much hair i
9:50
hate you and he would walk away Yeah. It was
9:57
loving. It was loving. I think it was love.
10:00
form of love. Yeah. It was in the air tonight.
10:04
My favorite Ozzy Osbourne story, and I don't remember if
10:07
it was he that told the story or if it
10:09
was one of the crew guys. But he had a,
10:15
in one of his concerts, he decided to have a
10:17
catapult kind of behind. Yeah. The catapult kind of behind
10:26
the band, and it was held down by these, I
10:31
guess, rubber... Rubber bands. Pull-downs. And I guess a rubber
10:38
band was going to pull the thing forward, and the
10:40
catapult had a pocket that was filled with chicken guts.
10:46
And the idea was that they were going to release
10:50
at some point in the song, they were going to
10:52
release, they're going to cut it loose and the catapult
10:55
is going to fly forward and throw chicken guts all
10:58
over the audience. Nice. But what happened was Ozzy ended
11:03
up, they had a guitar solo or something that ran
11:06
on way too long, and the rubber bands got kind
11:09
of stretched and loose. They didn't have enough oomph to
11:13
make the thing fly. So according to the story, the
11:18
catapult flies up and kind of just drops all the
11:21
chicken guts on Ozzy. That's a good one. It seems
11:29
like a believable story. Maybe I should. I've told her
11:32
before. Maybe I should tell my Aussie story since people
11:34
are always complaining. I don't talk about my old MTV
11:37
stories. Nobody's complaining. No, I got an email the other
11:41
day saying, hey, you need to talk more about your...
11:43
Hey, tell some stories here, you know? Your story's the
11:45
only thing we lifted a show waiting for some stories
11:48
from you. Tina's great. Hey, Adam, tell the Prince story.
11:51
Yeah, yeah, tell the Madonna story. Yeah, yeah, yeah, tell
11:53
the Aussie story. So I'll tell the Aussie story. People
11:56
have heard it, but I'll tell it again. Moscow Music
11:59
Peace Festival, you know the big CIA op. We all
12:01
went to Moscow and to get the kids to love
12:04
the Scorpions just before the wall came down. I'll just
12:09
cut straight to the chase because I didn't know that
12:11
at the time, but it makes a lot of sense
12:13
now. So we leave from Newark Airport, and it's a
12:17
crappy, I think it was a Stretch 727. Do you
12:21
remember those? Was it 727 or 737, the Stretch? No,
12:25
no, it was the 27. 727 Stretch, which looks like
12:28
they could snap in half at any moment. They were
12:31
funny looking. Yeah, and so that's what they chartered, Doc
12:36
McGee. Oh, yeah, I should mention the whole reason for
12:38
the concert is because Doc McGee, who managed Bon Jovi
12:41
and Motley Crue at the time, and busted in Florida,
12:46
bringing like some unbelievable amount of marijuana into the country.
12:50
And so they got to him and they said, hey,
12:53
instead of what's that in your mouth on this picture,
12:55
they said, look, why don't you organize a concert for
12:57
us in Moscow? and bring all your bands over there
13:01
and then we'll psyop the children. By the way... The
13:05
kids in Moscow, this is '88, I think, '88, '89.
13:09
had no idea who Bon Jovi or Motley Crue were.
13:13
They had no idea who Skid Row was. They didn't
13:15
care. You know who they knew? Ozzy. They knew Ozzy
13:20
Osbourne, and they had all these bootleg cassettes that came
13:23
in from Pakistan, and they knew Ozzy. So we're on
13:27
the plane. It's a crappy plane. No one's in first
13:31
class, so everyone's annoyed, and everyone's on edge. Of course,
13:36
this was supposed to be a... Hold on. The part
13:38
of the story that I didn't know before, I don't
13:40
think you told that part before, coming along because they
13:50
wanted to do this. They needed to do something in
13:53
Moscow and they needed a front. Yeah. No, but the
13:56
whole thing... It makes sense to me. It's a great
13:57
idea. The whole thing was to get the... Remember, the
14:00
Scorpions were there. The Scorpions were a German band, and
14:04
they had the Wind of Change, which is the only
14:07
hit they ever had that they didn't write themselves. Coincidence.
14:11
And that was the wind of changes. And that was
14:16
the big anthem when the wall came down, not but
14:19
a year, year and a half later. um so i'm
14:23
i'm there's all kinds of things there's an op involved
14:26
there's there's a definite op involved but i'm the only
14:30
person from mtv who goes along like this is dynamite
14:33
so how come you're the only one because wouldn't anybody
14:36
wouldn't somebody else want to go I think they only
14:40
offered it to one person. And I did headbangers balls,
14:44
so I was appropriate. I was the guy. And I
14:47
had the hair and everything. And I don't know. I'm
14:51
happy that they told me to go. I'm sure the
14:54
I'm sure you know what? I'm sure that downtown Julie
14:57
Brown was not having it. She's like, no, I'm not
15:00
going to go to Moscow, to Russia. Of course, this
15:04
was still Iron Curtain stuff. So anyway, we're on the
15:07
plane. And this whole concert, this whole affair is billed
15:11
as an anti-drugs, anti-alcohol concert. That was the front. Like,
15:18
we're doing this because we're going to show we can
15:20
have good, clean fun to the Russian kids. And we're
15:25
on the plane. Everybody's hammered. They're drunk as skunks, all
15:29
of them. and Ozzy was there, Geezer Butler was there,
15:35
Tommy O. I mean, there was a lot of Black
15:37
Sabbath was there. Whatever was still alive or barely alive.
15:41
And Sharon, who at the time, this is way before
15:46
the Osbournes reality show. This is way before Ozempic. And
15:51
Sharon was a big roly-poly British housewife. Now, she was
15:58
tipping the scales. And she's like... Very timid, didn't have
16:05
the big mouth that she has now. And so at
16:08
a certain point, Ozzy gets up and he has to
16:11
go to the bathroom. He's like, and so there's a
16:15
laboratory. You got his voice down. There's a laboratory mid
16:22
section of the plane and it's occupied. 'cause we're kind
16:26
of in the second, the back half of the plane.
16:29
And so Ozzie's standing there, "Sharon, Sharon, Sharon." And she's
16:34
like, "Oh Ozzie, just wait, Sharon." And what does Ozzie
16:38
do? He pees his pants right there in the aisle.
16:44
probably the saddest thing I've ever seen in rock and
16:47
roll ever. That is pretty pathetic. And that's my Aussie
16:51
story. That's uplifting. Well, this does give us a unique
16:59
opportunity since we have more than one. Ladies and gentlemen,
17:03
the No Agenda In Memoriam segment. I went back into
17:09
the VHS archives. Because in show business, you get to
17:15
say, yeah, I worked with him. *laughs* Don't you have
17:22
that? Oh, yeah. No, I work with him. Great guy.
17:24
Big fan of his work. Big fan. Big fan of
17:27
his work. Yeah. So we first have two clips. We
17:32
go back to 1988 to the plane ride to Moscow
17:38
known as the Magic Bus or the Get Doc McGee
17:41
Out of Jail Free Trip. Here's Adam interviewing Ozzy. Yeah,
17:46
News from the magic bus on our way to the
17:48
Soviet Union and no strangers to the ball of course
17:51
Ozzy and Zach. Guys, good to have you aboard. Well,
17:54
are we aboard? It's like a flying madhouse. Are we
17:58
actually flying is the question. I haven't checked recently. I
18:01
don't know what the pilot's doing up there, but he's
18:03
flying on autopilot. I hope it's on automatic pilot because
18:07
I hope no humans are. I thought you were flying
18:09
it. I think I was at one point. So you
18:12
just finished up the complete world tour. Yeah, I just
18:14
I just did 13 months. We're doing these two shows
18:18
in Moscow, and we're up for about a month or
18:21
so, and then I start writing and recording at home.
18:24
I understand Pete Townsend is in one of the back
18:27
clubs. He's in a soundproof booth. Ozzy, we're going to
18:30
take a look at breaking all the rules. Anything you
18:32
want to say about the video? Oh, it was a
18:33
lot of fun making it. Yes, yes. In-depth questions during
18:37
this interview. Ozzy, was it fun making the video, Ozzy?
18:44
I had every single rock radio station in America call
18:47
me yesterday. Hey, man, hey, you work with Ozzy, right?
18:50
What was he really like? Oh, man, we had such
18:52
good times together. But then, then, oh no, we have
18:57
Hulk Hogan. 71 is definitely too early. And I was
19:02
able to retrieve from 1993. the infamous rocket car of
19:08
death during Circus of the Stars as Hulk Hogan and
19:12
Adam Curry worked together and loved each other's work. Big
19:17
fans. Big fans. Hi, I'm Hulk Hogan here at Universal
19:20
Studios Florida where Adam Curry thought he was taking a
19:23
break from music videos. However, we're putting him right back
19:27
into MTV and that stands for Mucho Terrifying Vehicle. Yeah!
19:32
He'll take the ride of his life in a 600-pound
19:34
rocket car. Traveling at roller coaster speed, he'll be catapulted
19:38
into space, dropping 50 feet on his way to a
19:41
fiery, frightening crash landing. Are you ready, Rocket Man?
20:20
Good job, Kevin. - You got it, Gray. What a
20:23
Oh my god, let's keep our fingers crossed. There he
20:32
is. He's giving us a signal he's okay. He's okay.
20:34
He lives. Adam, how'd you like to see what we
20:36
just saw you do in slow motion, dude? Yeah, let's
20:37
take a look at it, Gray. Oh, what?
20:38
ride that was. It was so hot. I got the
20:44
headache from. Man. MTV's macho, terrific, wonderful Adam Curry. coming
20:56
up right after this right after these messages You gotta
21:01
see it. Roller coaster speeds. Yeah, I don't know. Well,
21:05
yeah, it was roller coasters. Roller coasters average about 45
21:09
miles an hour. It's very terrifying, John. In my rocket
21:13
car of death. You should post that video. It's on
21:16
YouTube. No. It's on the YouTubes. Yeah. 1993 Circus of
21:21
the Stars with my co-host Deirdre Hall. Boy, I've come
21:26
a long way. Yeah, have you kept in touch? Have
21:31
I kept in touch? At least Hulk Hogan will go
21:36
to heaven. We know that. That's a good, I don't
21:38
know. I've been to Moscow's airport. So Moscow, you go
21:42
into this airport, which was, I think, new at the
21:45
time. And the place is dark. I mean, literally dark.
21:50
And there's gypsy kids running around all over the place,
21:52
pickpocketing people in the terminal. What year was this, John?
21:56
What year were you there? About one year before the
22:01
fall of communism, which was some kind of horrible. Oh,
22:03
me too, like 88, 89? Yeah, something like that. Yeah,
22:07
that's when I was there. Oh, interesting. Yeah, well, I
22:09
wouldn't have been able to see it because it's so
22:11
dark in the airport, in the terminal. But anyway. I'll
22:13
be wearing the red rose. There was the funny scenes
22:17
were besides the kids running around, there was also one
22:20
in the entire airport. There was one automatic door that
22:25
opened and closed to let people in and out. And
22:27
it was surrounded by kids who kept jumping up and
22:30
down on the thing to open and close the door.
22:34
Yeah, exactly. Go ahead. Go ahead. You're right. It wasn't
22:40
like an Argus-based or electronic eye. It was a mat.
22:43
It was a mat. Pressure mat. that would open it
22:49
up. Right. So you can't get out that door. And
22:51
meanwhile, I talked to somebody about this, why the place
22:55
was so dark, by the way, and some guy told
22:57
me that, well, the deal is that it was designed
22:59
by a German company and they specced out all these
23:01
lights. There's all these little bulbs that were inset and
23:04
kind of cans. The whole ceiling was covered with them.
23:06
But there was no light coming out of them. He
23:08
said the Germans specced this thing out to a certain
23:11
wattage bulb, not to a certain lumen. And when they
23:14
used Russian bulbs, They got about half the lumens out
23:17
of them, so the place was pitch black. I was
23:21
there with the Moscow Music Peace Festival. Do you remember
23:25
that? No. Oh, that was, uh... Do you want to
23:31
get this story? Are you interested? Yeah, yeah, no, sure.
23:34
Okay, so Doc McGee, I don't know if that name
23:36
means anything to you. Yeah, it rings a bell. Yeah,
23:38
very famous manager of bands. And in the 80s, he
23:42
was the manager of Bon Jovi, Motley Crue. Those are
23:45
the two big ones. And he had been caught, I
23:49
don't know if he was, I think either he had
23:52
rented the Learjet or was registered to his name. There
23:55
was a Learjet that landed in Miami with like 5,000
23:58
kilos of coke. And so he got busted for it.
24:01
And the judge gave him kind of a get out
24:03
of jail free card. And he had to do some
24:06
great community service. So the idea was he would do
24:08
an anti-drug, anti-alcohol concert in Russia. And of course this
24:13
went up to some pretty high levels because this was
24:15
a political thing as well. He's clearly well connected in
24:18
all the right places. So off we went. And this,
24:22
I think it was 88. um in a in a
24:26
rented dc-8 some some crappy crappy plane uh so bon
24:32
jovi motley crew um ozzy osbourne but with um you
24:37
know the other black sabbath guys geezer butler and uh
24:41
Was it Tommy Iommi? And, uh... It was Skid Row.
24:48
We stopped in Germany, picked up the Scorpions, and then
24:52
we landed in Moscow. And it was for this huge
24:54
concert that would be held in Lenin Stadium. So we
24:59
were in the hotel right near Red Square where they
25:01
actually turned on the hot water in that part of
25:04
the city as a gesture to their guests. And I
25:08
could probably fill up three no agendas worth of stories
25:13
about that trip there, but I'll just give you one
25:15
that was pretty cool. Because, of course, you know, this
25:18
was the... I'll give you two stories. This was the
25:21
anti-drug, anti-alcohol concert. So on the plane, on the way
25:25
over, and this is when Sharon Osbourne was still just
25:28
a little rotund, kind of pale, no... no personality have
25:35
an English girl who was managing Ozzy Osbourne. So she
25:39
was on board. Ozzy was completely plastered. Everyone was plastered,
25:45
but Ozzy was really, really out of it. He's standing
25:49
near the lavatory because we were all kind of sitting
25:51
together. He's like, Sharon! Sharon! I've got to go! Someone
25:56
in the loo! Sharon! Because someone was occupied. Sharon's like,
26:00
oh, Ozzy, just wait. He wets himself right there, right
26:04
in the aisle. Just like a second grader, a huge
26:08
wet spot in his pants. Which really kind of set
26:12
the tone for the rest of the entire trip. Who
26:17
would pick that guy to go on an anti-alcohol tour?
26:21
That's my point. Oh, like the Motley Crue guys were
26:25
cool. Or Skid Row, come on. Or any of them.
26:29
Exactly. They were there for like four nights or five
26:32
nights. So on the second night, which of course consisted
26:35
of lots of vodka and just brazen drunkenness, it was
26:39
crazy. chapter of the Hell's Angels showed up in front
26:43
of our hotel. Didn't know they had one. And remember,
26:46
this was still before the wall came down. And they
26:48
were on Java motorcycles, you know, these Yugoslavian-built bikes. And
26:53
they were out of their mind, John. They were like
26:55
popping wheelies, flipping off the back. It was just, it
26:58
was like being in a fucking movie. And I'll just
27:00
never forget. It's like, you have this idea of what
27:05
a communist state, particularly what, you know, Moscow would be
27:08
like, and you're there, and it's just, there was no
27:10
control. It was mayhem. I looked at their technology. The
27:13
technology was like old gray Volkswagen buses with curtains. This
27:18
was supposed to be the highly technical KGB that could
27:22
eavesdrop on everything and had superiority over the world. No
27:25
way! Well, I'm reminded of, you know, Ronald Reagan when
27:30
he became president. He was shaking his fist at Russia
27:32
and he called him the evil empire. And he went
27:34
on and on and on. He did this for like
27:35
a while. Mr. Gorbachev, bring that wall down. But then
27:40
he went to Russia. And he never, he went to
27:44
Russia, and it was almost like he went to Russia
27:46
and had an epiphany, and he never, ever again said
27:49
anything about the evil empire. Because he saw it, because
27:53
it's not there, right? Yeah, he saw it was a
27:55
big bunch of bull. I mean, I noticed it. I
27:58
was staying in the Mir Hotel, which is across from
28:01
that Russian, that white building that got, you know, shelled
28:04
or whatever. And got some nice photos. And they had
28:10
mics in the room. were obviously because the mirror used
28:13
to be I guess it was it was the diplomats
28:15
hotel for a number of years and then it became
28:18
a public hotel. Were they like big Sennheisers instead of
28:20
micro stuff? No they had they were they were big
28:24
clunky mics but they had been they had been painted
28:28
over so many times because the room kept getting repainted
28:32
and they were all just a gob of paint. What's
28:35
that bump there? And in every floor there was a
28:40
woman that was the floor woman that you had to
28:43
check in with. They never really did any security. But
28:47
you were told before you went, if you did your
28:49
due diligence, you had to give them gifts constantly. Oh,
28:53
yes, the floor lady, if you wanted toilet paper or
28:56
if you wanted to make a phone call. Yeah, and
28:59
so you had to drop off toys. Apparently at the
29:03
time, the most valuable thing you could give people besides
29:06
cigarettes were like, I was told this, and they got
29:10
a kick out of it because most of them had
29:11
kids, and these little Tonka toys or these little mini
29:14
things, those little Hot Wheels, those little things, those were
29:17
like gold in Russia at the time. And so you'd
29:19
gift them with these. Did you go to the hooker
29:23
boat? Did you see that when you were there? Well,
29:26
when I was in Russia, Soviet Union, before the wall
29:29
came down, they told me, whatever you do, don't insult
29:32
the Kremlin. So Sebastian Bach and I, Sebastian of Skid
29:37
Row, we went and we were drinking vodka on Red
29:40
Square at 3 a.m. and we were trading T-shirts for
29:42
some of those cool Russian furry hats. We didn't get
29:47
arrested. We were there with Ozzy. But you could've been.
29:51
Could've- Several episodes ago, you guys played a clip of
29:55
Gene Simmons from Kiss, and Adam said he had a
29:58
Gene Simmons story, but never said it.
30:00
Spilled the beans. Oh. Do you think we'll get more
30:03
donations if I tell my Gene Simmons story? Well, I
30:06
don't know. Is it a good story? It's kind of
30:09
okay. Well, tell it. So Gene Simmons at MTV, you
30:14
know, in the MTV days when I was there, he
30:16
was managing bands. And, you know, notorious at MTV, and
30:21
I've said this many times, is, you know, your video
30:23
didn't really get played, like, because it was good. It
30:25
was a deal. You know, if we wanted Michael Jackson
30:28
on the Video Music Awards, then, you know, whatever Sony
30:31
pushed on us, we'd play that in the so-called buzz
30:33
bin, which is supposed to be this hip little thing,
30:36
course only played at 2 a.m. So Gene Simmons being
30:39
the you know kind of the brash guy that he
30:42
is he could not get it one of his bands
30:44
played so he burst into the music and I used
30:47
to be at the music meetings until I found out
30:49
there was a total scam he bursts in with knee
30:51
pads on jumps up on the table and says who
30:54
do I have to blow to get my video on
30:55
this network And so who did he blow? I was
31:01
smiling all the way back to the studio. I so
31:04
believe this. I so, so, so believe this. You know
31:07
that this happened to me once? What? Did I tell
31:11
you the story where this happened to me? This exact
31:12
same thing. My own Watergate. Should I tell you the
31:14
story? Yeah. So I just started at the television. I
31:18
was 19. I was on television in Holland. And I
31:21
was like super, super. There was only two stations. So
31:23
it was like everyone knew me. And I went to
31:26
go interview the Rolling Stones. So we're talking. When was
31:28
I 19, John? This is 1983, I think, 84. I
31:31
don't know. So I go to interview the Rolling Stones
31:34
in London. And we're in London. And it's like one
31:36
of these shoots where they're all like rolling around. And
31:38
it's hard to get them into the room. And we're
31:40
talking tape, right? We're talking analog. We're talking clapboards. You
31:44
know, this is way back in the day. Please, you
31:47
know, forget that you're in 2012. So finally, you know,
31:51
the guys stumble in. It was Keith and Woody. They
31:54
fall into the room. Like, oh, hold on a second.
31:57
They go in the bathroom. They're snorting coke off his
31:59
Bowie knife. You know, like, ah, so they finally sit
32:01
down. You know, we do the interview. It was great
32:03
because they were completely hammered. And then my producer says,
32:07
oh, man, you know, let's take a picture because we
32:08
can get this on the front page of the newspaper.
32:10
that you did an interview with him great promotion for
32:12
the show and no one had a camera Can you
32:15
imagine? This is 1984. No one had brought a camera,
32:18
but I had one of these newfangled Kodak disc cameras
32:23
in my briefcase. Remember those? The Kodak disc? Yep, yep.
32:25
They had a disc. Right. So I said, oh, I've
32:28
got the Kodak disc, which, by the way, crappy photos.
32:30
They took really crap photos. Yeah, they were little bitty
32:33
negatives or dinky. Yeah, like a view master. Yeah, exactly.
32:38
So they take a picture, and we go back. have
32:44
a service. And the service is the Dutch Broadcasting Corporation,
32:49
where they would actually take, it's called the press bureau,
32:51
you would give them your film and they would have
32:53
it developed and then they'd send it out to the
32:56
newspapers, etc. So I gave the disc to my producer.
33:00
And at the time I was dating one of the
33:08
Well, she would adjust. I'm already seeing where this is
33:12
headed. She had just started. She was an announcer on
33:14
television. They had these announcers in between. It's very much
33:17
like the BBC does with voice. In Holland, they would
33:20
have an announcer, and she would sit there and say,
33:23
oh, coming up next, we have this show and this
33:25
show after that. And then she would go away, and
33:27
then she'd come in like kind of a disc jockey
33:29
of television shows. A really pretty girl, Karoline Tense. Everyone
33:32
in Holland knows her. And, um... And then I was
33:36
like, oh crap, man. I took pictures of her with
33:38
the disc camera and they're not, they're like not flattering.
33:42
They're naked pictures. And so we broke into the press
33:45
bureau that night to retrieve the disc and then have
33:49
it developed somewhere else where we could actually get rid
33:53
of the prints. The evidence. The evidence. And I still
33:58
have these pictures, which is the best part. I've carried
34:01
them with me through two marriages. What? What a pervert.
34:07
But these things do happen. And I totally believe that.
34:10
How can we find out more about Nixon? This is
34:12
great. Well, I don't know. I think all the guys
34:16
involved with that... Actually, any one of the... I don't
34:19
know. How many of the burglars... would have been privy
34:23
to the real target. I think probably that creepy guy
34:29
that was always claiming to be all kinds of super
34:33
spy that used to light his hand on fire. What
34:36
is his name? G. Gordon Liddy would know. But then
34:39
you can't trust what he says. No. I don't know.
34:41
I don't think it's verifiable. I love it though. You're
34:46
going to tell us the Madonna story. Oh, the Madonna
34:48
story. Geez, I'm glad you reminded me. Yeah, well, you
34:52
were wandering off. Like you were trying to avoid it.
34:55
Anyway, go on. Now it's not all that big a
34:57
deal. So the way it works is you sit down
35:01
in the press office in their little cubby corner couch
35:05
so they can all listen in on the speakerphone, make
35:07
sure you're not saying something horrible. And I said, oh,
35:10
so you knew the new VJ. It's great. So this
35:13
was not a live in studio interview? This was with
35:16
the, well, no, TV Guide. TV Guide's a magazine. So
35:20
it was, yeah, they were interviewing me about being the
35:23
new VJ on the scene. Oh, okay. All right, go
35:25
on. And so, you know, you've been doing this because
35:28
I've been working in Holland and I've met lots of
35:30
celebrities. And so what did you think of Madonna? I
35:34
said, man, she's not really that nice. Well, hold on
35:36
a second. Why would they ask that question out of
35:39
the blue? Because MTV... No, it wasn't out of the
35:42
blue. It's like, okay, you've been working in television, you've
35:45
been working in music television, you've met lots of people,
35:48
you've done lots of interviews. So what are you thinking
35:50
of Madonna? Yeah, she's not that nice. I thought they
35:54
were going to shit a brick. And they like hit
35:57
the mute button. You can't say that. If you say
36:01
that, you're going to perform on the Video Music Awards.
36:07
You know, those deals they would do. Yeah, yeah, you
36:10
were just, you were being too honest. Yeah, exactly. You
36:14
don't want honesty. Nope, nope, that was foreboding. You weren't
36:17
hired to be honest. It was not your job. Wrong
36:21
thing, wrong thinking curry. You're hired to be a talking
36:23
head and I smile a lot. That's exactly. Shut up
36:28
and smile a lot, boy. Exactly. That's exactly what it
36:32
was. So yeah, and they hated me. They never got
36:37
press for me again after that. I was not to
36:39
be trusted with press. Well... It was a screw up.
36:45
No, it was honest. Yeah. It was such a double
36:51
standard. I don't want to get into it. And those
36:53
are the same people, probably with the same mentality that
36:55
are writing those notes in face bag. Certainly. Bitching about
36:59
one thing or another. From the same milieu. Because they
37:01
can be honest there. Yeah. So they're expressing themselves. Yes.
37:06
It's a private face bag group, so yeah, I guess
37:08
they can be honest there. Yeah. Well, then now you
37:11
know what's going on in the background of all media.
37:14
Yeah. So actually, so there's one woman in particular, and
37:18
I'm moving on back to the education stuff, if you're
37:20
okay with that. Yeah. I just wanted to hear the
37:22
story. Did I ever tell you the story when I
37:25
flew to L.A. with Sean Penn? No. We're open for
37:30
anecdotes on this show. Yes. This is back in the
37:33
MTV days, probably 88, 89, and there was a fabulous,
37:38
fabulous flight between New York and Los Angeles, and Los
37:42
Angeles and New York, that's all it did twice a
37:43
day, called MGM Grand Air. Oh, yes. That was an
37:47
interesting plane. MGM Grand Air was a 727 or a
37:51
737? I want to say 27. No, no. It was
37:54
a longer plane. It was either a 27 or a...
37:56
It was 27. 50 passengers. Of course, MTV paid for
38:02
this because they needed to get me out there. It
38:04
wasn't that much more expensive than a regular ticket, actually.
38:06
And so it had a bar. It was all captain's
38:10
chairs. And then staterooms. There were like four or five
38:13
staterooms where you could sit three people on each side.
38:15
A table could come up so you could eat. The
38:17
doors could close. Now, I had been in those once
38:19
before. Like a train. Like a train. I'd been in
38:21
those once before by myself, and it was fantastic. Because
38:25
you could move the two benches together. You'd have a
38:27
huge double bed. It was great. But this one time,
38:30
I'm in there with Sean Penn. in the stateroom with
38:34
his brother the one who uh who died and in
38:37
sean penn's mom and it was weird First of all,
38:43
his brother, what was his brother's name? I don't remember.
38:46
He was drinking beer out of the can, taking his
38:49
shirt off in the plane. Just bare chested there. The
38:54
mom was just very quiet. And it was really odd.
38:59
Hey, how you doing? Hey, you're that guy from VH1,
39:02
aren't you? I'm like, oh, Jesus. VH1. That must have
39:06
been the greatest insult of your life. Yeah, so I
39:09
said, yeah, that's me. Hey, what was it like being
39:12
married to Madonna, if you don't mind me asking? And
39:15
he said... Hell hath no fury. And then we pretty
39:19
much just looked at each other for the rest of
39:22
the flight. Very, very bizarre. So you never got into
39:26
a conversation with him? No, this is sad because I
39:29
knew him. I sat down with him for an hour
39:33
for a live radio interview, and he was a very
39:36
interesting guy. Legendary producer Quincy Jones, a giant in the
39:40
entertainment industry, has died. He leaves behind a legacy highlighted
39:44
by work with some of the biggest stars in American
39:46
history. Jones was born and raised on the south side
39:48
of Chicago, and he ascended to become one of the
39:50
first black executives to succeed in show business. Frank Sinatra
39:56
and produced, of course, the hit Michael Jackson albums Off
39:59
the Wall, Three
40:00
and bad. He also discovered Will Smith while producing The
40:03
Fresh Prince of Bel-Air. He won 28 Grammys, an Emmy,
40:06
and an Honorary Academy Award. I feel like the most
40:10
blessed person on the planet to have come along the
40:14
path that I came in musically from 13 years old,
40:17
you know, starting with Ray Charles at 14, he was
40:20
16, and going to Clark Terry and Basie and Vinnie
40:25
Carter, everybody from Billie Holiday, Louis Armstrong, all the way
40:30
50 Cent. Wow. Quincy Jones died last night at home
40:36
in Bel Air surrounded by family. He was 91 years
40:38
old. I always thought Thriller was one of the greatest
40:43
produced albums in the history of music. It's fantastic. But
40:47
he produced Lena Horne. I mean, he orchestrated it. I
40:52
mean, but still, just the body of work he orchestrated.
40:55
Yeah, he was talented. For Sinatra. Yeah, so I had
41:00
a live interview with him in the early 90s on
41:04
Hitline. Hitline, USA, coast to coast. And I was like,
41:08
do you have a copy of it? I wish I
41:10
had a copy of it. Oh, you didn't keep it.
41:14
And the producer, Dana Miller, he died years ago. Yeah,
41:19
they're driving dead. If anyone knows. And he was the
41:23
executive producer. His name was Dean. I forget his last
41:29
name. He went to jail for some real estate scam,
41:33
some real estate fraud. So I have a feeling that
41:35
Endless Summer Entertainment archives no longer exist. But I do
41:40
remember this interview. Somebody has it in their basement. I
41:44
hope so. It was set up in a studio, like
41:48
a recording studio, and it was dimly lit. There was
41:51
a table in the middle, two chairs, two mics. And
41:54
I'm there. I didn't see Jones, like what am I
41:57
gonna ask this guy? This is quite the talent. He
42:00
comes in with a bottle of Latour. And he slaps
42:04
it down and says, let's have a great hour. And
42:07
we drink the bottle of Le Jour. Oh, I don't
42:11
remember. But Quincy was a real one. So when I
42:16
was at MTV and we would, none of this was,
42:21
rarely was anything live. We would tape segments. And on
42:24
Thursday, we would tape for the weekend. That would be
42:26
called a 48. So we tape our segments, which is
42:29
essentially the lead-ins, the intros and the outros of the
42:31
videos without the videos. And that would be put together
42:34
later by the tape jockeys up in Long Island. They'd
42:37
literally start a U-matic with my segment and then start
42:41
the second U-matic with the video. And this was the,
42:45
we had made a deal. This is how it went.
42:47
Made a deal. We would give Michael Jackson the planet.
42:50
We would receive the planetary premiere of, I can't remember
42:53
which video it was. And this became competitive because we
42:58
had not purchased BET at the time and BET um
43:01
you know they would they would you know whoever could
43:05
dedicate more air time you know it's a commercial deal
43:07
commercial deals and then we threw in like a video
43:10
music award appearance all this stuff And so it was
43:13
Michael Jackson weekend for the planetary premiere of whatever video.
43:17
And, you know, so you work a full day from
43:19
nine in the morning till, you know, five at night.
43:21
And you're doing segments throughout the day. There's a lot
43:25
of coordination. There's changes. I mean, yeah, my life was
43:28
really hard being a VJ. But it was, you know,
43:31
actual work. And then Friday, we would typically only do
43:36
a 24, which would be for Monday's air. And Thursday
43:41
evening, we all got a call, oh my God, you
43:44
have to come back early. We've got to do three
43:48
days worth of programming on Friday. So not just the
43:52
48. We've got to do the Monday as well. We've
43:54
got to redo the whole weekend. Because contractually... We had
43:59
promised every single time we said Michael Jackson to follow
44:03
it by the King of Pop. And of course, that
44:07
had not made it down to the studio, so we
44:09
had to go back and re-tape every single segment saying,
44:12
and now it's time for the planetary premiere of Michael
44:14
Jackson, the king of pop, with his new video. And
44:17
that's how it works. That's how you're completely controlled. The
44:23
king of pop. The king of pop. That's cute. Let's
44:28
get this out of the way. What was with the
44:30
hair that you had there? Where did that idea come
44:34
from? My ex-wife. It was, oh, okay. And it made
44:38
me famous. It was a total, yeah, the hair. You
44:40
see, because. You had the hair. Luckily, you had the
44:43
kind of hair that could do what that hair did.
44:45
Well, when you have enough Aquanet. which is what we
44:49
had in the day. You could probably, and anybody could
44:52
make that hair. You just have to grow it long
44:54
enough, blow dry it, and tease it. Did you go
44:58
into makeup every day in the morning? My ex-wife would
45:01
do that every single morning before I left the house.
45:03
She would do my hair. I was incapable of doing
45:06
my hair myself, which made me a slave to her
45:10
and to the hair. I'm not kidding. I was afraid
45:14
to go anywhere without her because I couldn't do my
45:17
hair. This is no joke, by the way. That's funny.
45:22
That's sad is what it is. It's sad. However, if
45:25
it looks distinctive, according to the Merv Griffin theory of
45:30
celebrities. People with big heads are successful on television. And
45:36
he would know. Look at the people he's hired. And
45:40
look at people who are successful on television. If they've
45:42
got a big head, and that usually goes with a
45:44
small body, then you are going to be successful. Al
45:48
Sharpton. There you go. It's like a head on a
45:53
dwarf. Well, I will retell my story of Michael Jackson
45:59
when I was going to award him with the Video
46:03
Vanguard of the Decade Award, which forever was to be
46:08
now named the Michael Jackson Video Vanguard Award. And we
46:13
were starting the the the ceremony there in his studio
46:17
in Los Angeles and all of a sudden he stopped
46:19
He had to had his guy come over a little
46:22
whisper in his ear guy came came back with a
46:24
crate And he had to, so he was standing on
46:28
an apple crate. Yeah, the full one? Yeah, well, he
46:33
put it on his side, though, so it was probably
46:34
about three-quarter apple crate. Huh. Michael Jackson was not really...
46:41
By the way, that's what you're supposed to do. When
46:44
people out there, when you're watching TV and you got
46:46
some midget standing next to some guy who's tall, it's
46:49
because they're not doing their job. You're supposed to put
46:51
the midget on a crate, on an apple crate or
46:54
whatever they call it. And they're usually painted black so
46:57
you can't see them. And you can have a half
47:00
full one, a quarter one, and a full one. And
47:04
if you get up, I think they're four inches. It
47:07
raises you four inches. Yeah, that was about it. Michael
47:09
Jackson, not a short guy. If you Google Adam Curry,
47:12
Michael Jackson, you can see the picture. It's on the
47:17
interwebs. And you'll see that he's standing next to me.
47:20
He's almost as tall as I am. And there's a
47:23
Christmas tree growing out of the back of my head.
47:25
It's one of those great MTV shots. Thank you. It's
47:28
been fantastic. Except for Tina Turner dying. Yeah. She was
47:33
sick for a long time, but that really sucked. I
47:35
had good times. She seemed to be pretty spry in
47:38
her 80s. Well, she had a serious illness. She had
47:42
all kinds of problems. But man, that was a nice
47:44
lady. I had a lot of fun times with her.
47:46
Yeah? Whoa. Should I tell you one? Should I tell
47:51
you a fun time? Go for it. Okay. So she
47:56
came, this is when I was in Holland, this is
47:57
how far back our relationship goes. And she came to,
48:02
I think she was doing a concert, yeah, I'm pretty
48:04
sure she was doing concerts. And this is like 84.
48:10
So as one does, of course, you're coming to the
48:12
Netherlands and the top record retailer has to have attention
48:16
because, you know, that's how it works. That's the way
48:19
it used to work. You know, the number one guy
48:21
in retail, you got to kiss his ass. So the
48:24
record company set up this special lunch for this guy
48:28
who was a real farmer. I mean, he spoke farmer
48:33
English. He was just, he was a real, it's hard
48:37
to explain, but in Holland people understand when I say
48:40
he was a real farmer, just like a redneck, basically.
48:45
And they invited me because she was going to be
48:47
on my show to interview her. And basically it's us
48:51
in this restaurant eating at a table. And this guy
48:54
presenting this huge, ugly, triple platinum piece of crap that
48:59
you can't take back with you. It's just one of
49:01
those horrible music industry things. And he starts off by,
49:05
yes, I'm so happy here to have Tiny Turner with
49:10
us today. And you could just see everyone cringing. No
49:14
one dared say, like, dude, it's Tina Turner. Tiny Turner
49:18
has sold so many records here in the lowlands. We
49:21
love it very, very much. And she was just, and
49:25
I looked at her and I said, because I was
49:27
sitting across from her. It's like, I'm so sorry about
49:29
this. This is, welcome to the Netherlands. And she was
49:32
so proper and this was in her. I think beyond
49:36
Thunderdome, Dane. Remember when she came back from England? I'm
49:39
Tina Turner. I talk like this. Remember that? And she
49:42
got all Thunderdome-y. No. Anyway, once the chicken arrived, I
49:47
know it sounds racist, but man, Annie Mae Bullock, she
49:50
dove right into the chicken with her hands, screw the
49:53
cutlery, and we had a great lunch. And many laughs
49:57
ensued over the douchebag.
50:00
Anyway, just one of the many fun moments with Tina
50:02
Turner. Turn it down to the trophy. Oh, I'm sure
50:07
it got left behind at the record company. No one
50:09
wants that stuff in their home. It's not a trophy.
50:13
It's one of those, it's like four feet long and
50:16
has four, you know, platinum records. The stuff you've got
50:19
on your wall. Yeah, no, I don't. You've got it.
50:22
Even I don't have the four foot long one up.
50:24
Yeah, I put it in the garage, actually. I decided,
50:27
new house. I used it to stop the car. New
50:30
house. I decide not to put any of that in
50:32
the house. It's in the garage. kind of like a
50:34
Pennzoil sign. That's where I got all that stuff. Since
50:38
you brought up David Bowie, I need to tell you
50:40
something. kind of interesting about Patricia. First wife number one.
50:46
First wife. Ex-wife number one. There we go. Who is,
50:50
if anything, John, what is she? She is a promoter?
50:57
to be admired by anyone involved with publicity. And I
51:02
always hold the belief, I think I've mentioned on the
51:05
show, that when you use the media for your own
51:07
benefit, when you use the PR for your own benefit
51:12
by whatever it is to get your PR, your message
51:16
into the media. When you least expect it, it comes
51:20
back like a boomerang in 10 times force, then knocks
51:25
you down. And this is exactly what happened to her.
51:28
Well, what happened? Well, David Bowie dies. As with every
51:32
country, every television station, they had a talk show and
51:35
they brought in a whole bunch of people to talk
51:38
about David Bowie. And they had five or six people.
51:41
There's always like, you know, the DJ with the orange
51:44
hair. Rolling Stone magazine, who has, you know, like a
51:50
cardigan and a pipe, you know, a bunch of douchebags
51:53
who have never met David Bowie, never met David Bowie.
51:55
The only person who's met David Bowie is Patricia. And
51:59
I think I've told the Bowie story, her Bowie story,
52:02
haven't I? No, I have not heard Patricia Bowie story.
52:06
So when she was 20 and Bowie was 25, then
52:09
I was minus two. I was not in existence, barely
52:13
in existence. she did these song contests, and she did
52:17
one in Malta. And David Jones, David Robert Jones at
52:20
the time, was performing before he changed his name to
52:22
David Bowie. This is how long ago it is. And
52:25
so she's asked about this story. She wrote it in
52:27
her book, and she tells a story that, you know,
52:30
they hooked up, they smoked some weed, and they, you
52:33
know, had some sex, and they were running around the
52:36
beach of Malta, and that he had some kind of
52:39
loincloth outfit on that looked really funky, really strange. He
52:42
had, like, shitty teeth. and her punchline is he kept
52:46
playing this song on his guitar as we walk on
52:49
the beach and like, oh, can you stop with this
52:51
annoying song already? And it was Space Oddity. So I
52:55
think that's a funny story. Now, um, this is like
52:59
a music business story. Do you know who Seymour Stein
53:02
is? The name rings a bell, but no. Okay, Seymour
53:06
Stein is the guy who first, he, legend in the
53:10
music business, started Sire Records. And Sire Records, you know,
53:15
had many famous artists, but Seymour Stein is really known
53:19
for Madonna. He really took Madonna into mainstream, did the
53:24
first big album with her, and he was her, Sire
53:28
was her record label in the very beginning of her
53:31
career. I've hung out with him back in the mid-80s
53:38
in London. And just one of these really weird guys,
53:43
typical music industry guys. He had a fish tank in
53:46
his office with 50-pound notes at the bottom of this
53:52
aquarium. And there were piranha swimming in the aquarium. It
53:55
was like, you're welcome to go grab the 50-pound note
53:58
if you don't mind your hand getting eaten by a
54:00
piranha. This is really one of these guys, right? Hilarious.
54:05
And his ex-wife... Linda Stein was also a legend in
54:13
the music business. She was a manager, famously, of the
54:17
Ramones. And she was the most abrasive woman you can
54:22
imagine. I mean, she would yell. She would scream at
54:27
people. She'd tell Joey Ramone, shut the fuck up. When
54:32
they were touring in England, he was complaining about everything.
54:36
He didn't like the food. And she just said, then
54:39
get the fuck back to America, you fucking... Legendary. And
54:43
it's funny because as far as I know, Seymour Stein
54:46
was gay, if not... at least by, but it was
54:50
really weird, these two, and of course, they did break
54:53
up eventually, so she was ex for a reason. um
55:00
Legendary woman. In fact, She had cancer, and she had
55:05
been operated on cancer, and this is just one of
55:08
those famous stories about her, so take it with a
55:10
grain of salt. Four hours after the operation, she was
55:14
already on the phone yelling at someone to fuck something
55:17
up. Just crazy. um They found her bludgeoned to death
55:23
in her apartment yesterday in New York on Fifth Avenue.
55:27
Oh, really? Yeah. It wasn't in the news out here.
55:33
Well, there you go. But it's just, it's one of
55:36
those, you watch, the stories will come out, I'm sure,
55:38
because, you know, lots of artists dealt with her, so
55:42
I'm sure people are going to be talking about this.
55:43
You watch, it's going to be an interesting story. Richard
55:47
Marx is crazy. You don't even mention him in the
55:49
book. But it's a great story. No. Why don't you
55:53
call him up? No. Tell him if you can tell
55:55
the story. I don't need his permission to tell the
55:58
story, do I? Well, if you don't want to get
56:00
sued, maybe. Well, see, now I don't want to do
56:03
a book. Boy, you're easy. What a pushover. The worst
56:11
thing about Richard Marks, who I had a... I don't
56:14
even know who... You're talking about somebody nobody knows who
56:16
you're talking about. Are you kidding me? Richard Marks in
56:19
the 80s and 90s had number one hits back to
56:23
back, you know, just because you don't... He was the
56:25
Marks Brothers? Who are you talking about? Okay, I will
56:30
play you a Richard Marks song. He sings? He's a
56:34
singer? Yes, he's a singer. Yes. But what group? Richard
56:39
Marks. He's just Richard Marks. Oh, I never heard of
56:44
him. No, I'm not surprised you've never heard of him,
56:47
but he's quite famous. Let me see. He has all
56:53
new songs. Where's his biggest hits? Was it right here
56:59
waiting for you? Right here waiting for you, Dick Marks.
57:06
Ehhhh This kind of stuff. Oh, this is the kind
57:12
of stuff I don't like. That's probably why I never
57:14
heard it. No, of course not. This is boring. That's
57:19
Bryan Adams, hold on a second. Light some candles, people.
57:22
Wait, that's Bryan Adams, that's not even Richard Marks. Oh,
57:24
you don't even get the right guy. Here we go,
57:26
this is him. This is him. There's your 1980s DX7
57:32
synthesizer sound. He comes out of the smoke. Oh, yeah,
57:38
this is good. Oh, yeah, he's got his blue jeans
57:40
on. He sits down at the piano. I don't, uh...
57:46
You don't remember this song? No. It sounds like a
57:51
dime a dozen. It's a long intro. Okay, you can
57:57
stop it. No, I want to hear him sing now.
58:00
Slowly So I made a joke about his hair once
58:05
on MTV, which was okay. You know, I had hair.
58:08
Did he have long hair, short hair, or bald? He
58:11
had big hair. He had big hair like you had.
58:13
Yeah, and I said, there's Richard Marks with his hair
58:15
at number four on the top 20 countdown. He tried
58:18
to get me fired. He literally tried to get me
58:21
fired. What? Because I made fun of him. He went
58:26
to make fun of you. You said he had hair.
58:28
That's I'm telling you. He went to Abby Conowitz. He
58:31
went to Rick Krim. The irony of if he's bald.
58:34
No, he's not. Well, no. The hard part is, you
58:38
know, he's married to. You won't know her either. Daisy
58:42
Fuentes. Now you don't know Daisy. Nick Fuent is his
58:46
sister? You're hopeless. This book is not for you, okay?
58:50
This book is not for you. Don't worry about it.
58:53
Don't read it. Mimi and I will make a book,
58:56
and we'll make a book, we'll make a book. And
58:58
I want to do that whole download the PDF, and
59:00
if you want to buy it, then value for value,
59:03
just send me some money. Yeah, you'll get something out
59:06
of it. No, I won't get nothing. You'll get nothing
59:08
out of it. No, you'll get something. You just want
59:10
me to do it so I can go on a
59:11
promo tour and promote the show. I think it would
59:12
be a good benefit for not having anything about Richard
59:15
Marx, though. No, no, because that was a legendary fight.
59:19
This is legendary. Wow. And then we were on a
59:22
live. You're unselling the book as we speak. on a
59:29
live radio show and he says, I hope you get
59:31
cancer. That was Richard Marks. That was kind of cute.
59:35
Yeah, so there's good stories there. It's good stories. France,
59:39
you're next. USA, you're up. And I've done some celebrity
59:45
pageant judging in the past. My favorite was in Secaucus,
59:50
New Jersey with Boy George as my fellow judge. This
59:55
was after the heroin. It was all fat and bald
59:58
and stuff.
1:00:01
Nice guy, but damn. Boy George judging the women. I
1:00:05
don't know. I'm going to show my support by donating
1:00:08
to No Agenda. Imagine all the people who could do
1:00:11
that. Oh yeah, that'd be fab. ♪ Children ♪ Certainly
1:00:20
hope you've enjoyed part one, hour one of the MTV
1:00:23
Chronicles. I wish we could chat with John about it.
1:00:26
But of course he was there throughout every single story
1:00:29
that I told. Many more on the way. And because
1:00:32
I am, as we speak, on an airplane, probably about
1:00:35
to land, if you were listening live, coming back from
1:00:39
Rotterdam to Austin, then on to the Hill Country, the
1:00:42
trolls were able to hear everything. I'm sure they had
1:00:44
a lot of fun trolling along. But no donation segment
1:00:46
for today, which means on Sunday we will have an
1:00:49
extra special Thank you. through the donation segment. Probably even
1:01:22
get him to do a tip of the day since,
1:01:23
after all, he is the creator of the tip of
1:01:25
the day. So go to noagendadonations.com. Your time, your talent,
1:01:29
your treasure is all appreciated. Thank you all very much
1:01:32
for supporting No Agenda. And Hour 2 of the MTV
1:01:36
Chronicles is coming at you right now. Do I get
1:01:38
to tell my Times Square story from 1987? Yes, I
1:01:41
would like you to go, and then I'm going to
1:01:43
bring out the good news about all this. Why would
1:01:46
anybody go to Times Square? Well, this is my story,
1:01:49
1987. I had arrived at MTV in October and a
1:01:55
month to get set up. Then my first big gig
1:01:58
was live from Times Square. I was on Times Square
1:02:03
by One Time Square. They had the camera up in
1:02:07
the One Time Square building, and I was down there
1:02:10
by the recruiting station. You were on a platform? No,
1:02:13
no. I was in the crowd, on the ground, in
1:02:16
the crowd. Were there squealing girls? Yes, but there was
1:02:23
none of this Nivea crap. Nivea bullcrap. I don't know
1:02:28
what you're talking about, blue Nivea bullcrap. They didn't have
1:02:30
that this year? Nivea sponsors that. I didn't watch that.
1:02:35
Well, neither did I, but I assume that Nivea sponsored
1:02:37
it again. They always do that. I didn't hear anything
1:02:39
about Nivea. And they'd assigned to me an off-duty cop.
1:02:43
with a big-ass gun. Okay. And Paul Reiser. What was
1:02:48
the tossing to Adam? Let's toss it to Adam down
1:02:51
on time. Paul Reiser, the comic? Yeah. Oh, it's typical.
1:02:54
Whenever they're going to do a live show, they bring
1:02:56
in celebrities who are anything but television hosts. And they
1:03:01
suck. They always suck. So Paul Reiser, I think... Maybe
1:03:06
Sandra Bernhardt as well, who's definitely not good at just
1:03:10
off-the-cuff unrehearsed. stuff when MTV wants to be, you know,
1:03:13
trying to be a family friendly. Yeah. Yeah. But anyway,
1:03:19
I thought it was quite an experience because those were
1:03:20
the days when, you know, there were hookers on Times
1:03:23
Square and sex shops and. Yeah. Oh, yeah. The place
1:03:26
was really. And it was grimy and grungy and people
1:03:29
just, you know. Great. Puking all over the place and.
1:03:36
You know, there was many there were as many or
1:03:39
even more cops back in that era in Times Square,
1:03:43
but they didn't do anything about anything. No, no. It
1:03:46
was a corrupt little enclave. It worked fine. Peep shows.
1:03:51
Yes, it was good. Crappy theaters. Good times. Porn shops.
1:03:55
Good times. It was like Grand Theft Auto. It was
1:03:58
realistic. It totally is. And now it's like you think
1:04:02
you're in Disneyland. Yes. At MTV, we had something called
1:04:06
Light Switch. It's time for light switch. Oh, what's that
1:04:11
we said? Well, we have a new director of programming
1:04:14
coming in, who was... I want to say her name
1:04:19
was Silverstein. I think she had like some, her daddy-o
1:04:23
or something. And her great idea was we're going to
1:04:26
have these blue screen. We'll have all these virtual sets.
1:04:32
And so what happened was you'd have, you see it,
1:04:34
MTV would come up, a video would end playing, you'd
1:04:36
see a diner and there'd be like Tony, the Tony's
1:04:39
in the diner making a deli making sandwiches. And there
1:04:42
was a little portable TV on the countertop. And I
1:04:45
would be in that little TV announcing the next video.
1:04:50
It was the stupidest thing I've ever seen in my
1:04:52
life. Fucking moronic is what it was. In the summer
1:04:56
of 1990, MTV... had a problem. They needed to get
1:05:01
Budweiser to advertise on the network. I think I've told
1:05:05
this story before. No. And they couldn't figure out how
1:05:09
to get Budweiser. And they asked me to help them
1:05:12
pitch an idea. And the idea was, instead of creating
1:05:16
some programming that Budweiser would want to sponsor, they went
1:05:21
to where Budweiser was already naturally, and that was Spring
1:05:24
Break. And that is the entire reason for the creation
1:05:29
of Spring Break on MTV. Now, that is not native
1:05:34
advertising per se. That's more product placement. However, if you
1:05:40
go back to those early days, and I had to
1:05:43
do some of this. I think it was... Uh, South
1:05:46
Padre Island, I think? Which, funny, I live in Texas
1:05:49
now. Um, do you remember Spuds McKenzie, that fucking dog?
1:05:54
So we had to do... Bull Terrier. Yes, we had
1:05:56
to do like the top 20 countdown with spuds next
1:05:59
to me. I remember we needed Michael Jackson to... to
1:06:04
perform on the Video Music Awards at MTV. And, you
1:06:08
know, so then the dealing starts. You gotta, well, then
1:06:11
you have to do this. You have to, you gotta
1:06:14
play this video. And then we also... said, well, we'll
1:06:19
give you an award. It'll be the Michael Jackson Video
1:06:21
Vanguard Award of the Year. named after him. And I
1:06:25
think J-Lo just received it. And it is presented as
1:06:28
the Michael Jackson Video Vanguard Award of the Year. We
1:06:32
also, by the way, promised that we would always say
1:06:35
Michael Jackson followed by the King of Pop. And we
1:06:39
did. In fact, we once had to record a whole
1:06:41
weekend all over again because we hadn't been told we
1:06:43
had to do it. Anyway, I digress. So Tim Cook.
1:06:46
No, I don't think that's a digression. That idea that
1:06:49
you have to say the king of pop was ridiculous.
1:06:53
That we had to go back and re-record everything because
1:06:55
we didn't say it. That was ridiculous. That was off
1:06:59
the hook. That was two days of work. This is
1:07:02
the thing that I learned and several people told me
1:07:06
in my late teens. early 20s You know, and I
1:07:12
was, you know, it was kind of like one of
1:07:13
these unspoken things, and this person said to me, no,
1:07:17
I see that you've got, you know, twitches and tics,
1:07:18
but... I think it makes you look interesting. And... And
1:07:23
I always took that to heart because. These were good
1:07:27
looking women. And believe it or not. You're interesting when
1:07:33
you're not like everybody else. And this is the same
1:07:37
for versions of, you know, whatever they call the autism
1:07:40
spectrum, etc. Don't worry about it. Seriously, I still to
1:07:46
this day have. It's gotten much better because I've become
1:07:50
much calmer about it. But I was on television with
1:07:54
Tourette's. And it was crazy. I was able to control
1:07:59
it. But man, it took so much out of me.
1:08:02
And once I kind of let it go, I mean,
1:08:04
you know, when Mick Jagger says to you, man, you
1:08:06
got a weird tick, but it's kind of funny with
1:08:08
an English accent. That's when you're living. Yeah, Mick Jagger
1:08:12
thinks I'm interesting. Name dropper. I helped her get started
1:08:17
in show business. Did I ever tell you that story?
1:08:19
Okay, here we go. Yeah. Yeah, I just remembered. At
1:08:24
MTV, we had VH1 at the time, and she was
1:08:27
doing comedy stand-up at Rascals in West Orange, which is
1:08:31
a pretty small place, and she was not really getting
1:08:34
anywhere very much. And Steve Leeds, who was director of
1:08:39
On Air Talents, whatever he was, who now does the
1:08:42
same job at SiriusXM. He said, I really want to
1:08:46
get Rosie O'Donnell on VH1. So Adam, would you please
1:08:49
do the audition with her? And so essentially I sat
1:08:53
there and she talked and just made jokes about me
1:08:55
the whole time, which was, yeah, she said, Adam Curry,
1:08:59
like you're such a Barbie doll. Like you have Mattel
1:09:01
stamped on your butt. It was marginally funny, but that's
1:09:04
how she got started. Then she got on VH1 and
1:09:06
that's how her career was launched. So I take full
1:09:08
responsibility. I'm very sorry. Yeah, you could have just gone
1:09:12
back to the guest and said, you know, she sucks.
1:09:14
She's really bad. Just don't put her on. It's a
1:09:17
huge mistake in your career. No, I actually went to
1:09:19
see her at Rascals in West Orange. She was funny.
1:09:23
I liked her. But this is awesome. That's what you
1:09:25
brought on us. Thank you very much. You're welcome. Now,
1:09:28
of course... Nyet, nyet, nyet, nyet, nyet. Now... Here's one
1:09:31
for the show. So I left from JFK last night
1:09:34
on Virgin. And at JFK, you can't actually check your
1:09:39
bags in at the check-in desk. You have to then
1:09:41
take your bag to the TSA screening machine, which is
1:09:46
a little bit further up. So I'm rolling my bag
1:09:49
down. And I knew I had a huge delay, so
1:09:51
I'm taking my time, and I'm feeling pretty good. And
1:09:54
so I roll my bag over, and there's this TSA
1:09:57
agent. She's about 6'2".
1:10:00
She's extremely milfy. I think she's pushing 30 and late
1:10:06
30s, 40. And John's stunning, a stunningly. sexy, tall woman
1:10:14
in uniform. And I'm like, and so, you know, she
1:10:18
looks at me and I look at her and we're,
1:10:19
you know, we're eye to eye, right? And you have
1:10:21
to understand when you're tall, like I am, you just
1:10:23
don't get that a lot. I'm like, oh, hi. And
1:10:26
she's like, oh, hi. And I hand off my bag
1:10:28
and I said, don't you just miss hugging people your
1:10:32
height? She says, oh, it's been such a long time.
1:10:36
I said, come here, baby, give me one. So I
1:10:38
hugged her and we're like, we're doing this big embrace.
1:10:40
And all of a sudden she realizes she's like, uh,
1:10:45
you gotta get the girl fired. But it was a
1:10:48
nice hug. It was good. You have to understand, you
1:10:54
know, the only time that I had the best hug
1:10:56
I ever, I think I told you that, the best
1:10:57
hug I ever had was with Shaquille O'Neal. - Really?
1:11:02
- Yeah, I was interviewing him. - But he's a
1:11:03
big dude. - Yeah, he's seven foot whatever, and I
1:11:06
was interviewing him for something, and I said, "Shaq, can
1:11:08
I just ask you one last question, man?" He said,
1:11:10
"Yeah." I said, "I know you can feel my pain
1:11:13
here. Would you mind if I just hugged you? It
1:11:14
would be so nice to be hugged by someone bigger
1:11:16
than me." And he says, "Absolutely." He just engulfed me.
1:11:20
- Oh, God. - Yeah, it's nice, man. Hugs are
1:11:23
good. So Kennedy. Oh, that's my buddy. Almost killed you.
1:11:28
I tell that story. She broke my butt. Should I
1:11:32
tell this? I should probably tell the story? Yeah, you
1:11:34
might as well re-refrain the story because we have not
1:11:37
heard it for probably five years. MTV Beach House, first
1:11:41
year, great idea. We all go out to... Quag, which
1:11:47
is you got the Hamptons and then you got all
1:11:49
the poor people. They live in Quag because it's beyond
1:11:51
the Hamptons. Big house on the beach. It was an
1:11:55
experiment. Worked out really well. It later became a reality
1:11:58
show when everybody realized that all that happened in MTV
1:12:01
Beach House was just a lot of drinking and screwing
1:12:04
around. So all the VJs would be out there for
1:12:07
the summer. It was a real pain in the butt.
1:12:09
You'd drive three and a half hours from the city
1:12:11
to get there. And, you know, so we did all
1:12:14
the typical beach house things and then we're on wave
1:12:17
runners these days known as jet skis, which they're not.
1:12:21
They're wave runners. And so I'm doing my segment. You
1:12:25
know, but I'm sitting on the wave runner and the
1:12:27
camera guys on the other wave runner. And, you know,
1:12:29
I'm doing my segment and all of a sudden Kennedy
1:12:32
rams into me. with her wave runner thinking she was
1:12:36
funny and so i i go flying off the wave
1:12:39
runner and hit my left buttock right on the edge
1:12:43
of the the wave runner and to this day there's
1:12:46
still a crease in my butt And it was black
1:12:50
and blue for months. And she never really said sorry,
1:12:54
which I've always wanted to talk to her about. And
1:12:56
I almost got on her podcast, but then they canceled
1:12:59
on me. Oh, that's too bad. Yeah. Well, her podcast
1:13:03
isn't that good. I, of course, have forgiven her since
1:13:06
then, but it'd be fun to talk about it. Well,
1:13:10
she's quite lively on Gutfeld. I got butt slammed. That's
1:13:16
right, Trolls. I literally got butt slammed by Kennedy. There
1:13:19
you go. So there's a couple things I'll say here,
1:13:23
you know, because I have been kind of following the
1:13:26
Osmonds over the past couple weeks, mainly because, you know,
1:13:31
Marie was in Dancing with the Stars, and I like
1:13:34
that show. She passed out, right? So that kind of
1:13:36
got her into the news. I know Donnie. In fact,
1:13:40
I raced against him in a celebrity race in Denver
1:13:44
during the, it was an indie event, IndyCar, when I
1:13:48
was working for MTV. He won the race by the
1:13:53
way. I was impressed. We were all out partying and
1:13:56
he was walking the track at 5 in the morning,
1:13:59
finding the apex and all the fucking perfect curves. He
1:14:01
wanted to win. He really wanted to win. I raced
1:14:04
in a Gio. Did you now? Yes. MTV. We followed
1:14:11
the Indy circuit one year, and it was one year
1:14:15
they had the race in Denver, the street race in
1:14:17
Denver. And they had the celebrity. race and it wasn't
1:14:23
a grand prix or an indie car grand prix style
1:14:25
thing um well it was on the streets it would
1:14:27
be grand prix more than well well it was the
1:14:31
cars whatever it was the same cars yeah uh except
1:14:34
for you you had a geo yeah so it was
1:14:37
like the guy the drummer from white lion johnny gill
1:14:41
you know uh i'm sure one of the motley crew
1:14:44
guys was there and i had the in-car camera i
1:14:46
got to find that footage because i of course i
1:14:48
went around the corner and crashed into the wall and
1:14:50
kept going You did? Yeah, yeah. The stick shift had
1:14:54
come up about two feet, but otherwise it still drove.
1:14:57
But the commentary, because when you're in the car and
1:15:00
you're skidding around and you hit the wall and you
1:15:02
bounce off, it feels like, wow, man, this is spectacular.
1:15:06
Then you see the footage on TV and the commentator,
1:15:09
it's literally like, what? Because it's a Geo. They go,
1:15:12
you know how slow it looks then? It looks like
1:15:14
I'm a grandma who's lost control. And the guys who
1:15:18
were going to call the official race are like, oh,
1:15:20
there's Adam Curry from Oh, okay. I was like, dude,
1:15:25
can't even hold on to the wheel. My Geo story.
1:15:30
I've made this mistake myself once. When I was interviewing...
1:15:34
You can make the mistake, but you can't do it
1:15:37
on... No, but I just want to tell you how
1:15:39
embarrassing... I make the mistake all the time, so maybe
1:15:40
I'm too harsh. Oh, come on. Sidney, you're in the
1:15:43
news business as a news model. Yeah, if you're in
1:15:47
the news business, you don't think Sidney is... And he's
1:15:50
reading this on the prompter. Yes, of course. These people,
1:15:55
they don't know. Tucker Carlson also, it's all prompter. There's
1:15:58
nothing that's not from the prompter. He may write some
1:16:01
of that stuff himself. These people don't write it themselves.
1:16:04
And they're idiots. They're just idiots. I have done this
1:16:07
myself. I was interviewing Fleetwood Mac. This is in the
1:16:14
late. So you had a conversation with with that guy,
1:16:16
Steve Nix? No, much worse. I said so worse. Yeah,
1:16:21
worse. I said, so do you think Lindsay Buckingham will
1:16:26
ever come back into the into the group or is
1:16:28
she done with it? I remember Mick Fleetwood looking at
1:16:32
me and going If his penis fell off, maybe. That's
1:16:41
funny. It was horrible. I don't think it's worse, but
1:16:44
it's bad. It was for me. Horrible. Horrible, horrible, horrible.
1:16:49
When Mick Fleetwood had brought the band back together briefly
1:16:54
in the mid, almost late 80s, mid 80s, and it
1:16:58
was without... I think it was without Lindsey Buckingham. Yeah,
1:17:02
Lindsey Buckingham was here. Maybe Christine McVie, wasn't it? She
1:17:07
quit, too. But I remember talking to Mick Fleetwood, doing
1:17:10
an interview. I had two big gaffes in my career.
1:17:15
This was the Fleetwood Mac one, where I said, so,
1:17:18
Lindsey Buckingham, is she going to be on the tour
1:17:20
this year? The other gaffe, just while we're on it,
1:17:26
the other gaffe was when I was interviewing Jermaine Jackson,
1:17:29
who had a song with Pia Sidora, When the Rain
1:17:33
Begins to Fall, from some movie soundtrack. And, of course,
1:17:38
I said, ladies and gentlemen, please welcome Michael Jackson. You
1:17:41
know, it's one of those cringe-worthy moments when you do
1:17:45
that. Riddle me this. Why is that guy's name not
1:17:48
up there with Hendrix and Clapton and Becks? I mean,
1:17:51
he is beyond belief. It should absolutely be there. So
1:17:54
I interviewed him back in the late 80s. And he
1:17:59
came into the studio because I think it might have
1:18:01
been Headbangers Ball. I don't remember. And this is, you
1:18:05
remember these days, Larry, back in the day, like when
1:18:07
even the VJs got gold and platinum records. And like,
1:18:11
yeah, thanks for helping, son. Here's something to hang on
1:18:14
your wall. me his signature Steve Stevens hammer guitar. I
1:18:21
still have it. I still have it. Signed by Steve
1:18:24
Stevens. Yeah. He was just a nice guy. Yeah. Yeah.
1:18:29
And so New York, right? His New York accent. Very
1:18:32
much so. He literally walked down the street. Oh, he
1:18:35
just walked down the street to the studio. Had a
1:18:37
guitar case. Here, Adam, how you doing? These guys were
1:18:39
all very, very New York. Very New York. Love that
1:18:43
about him. And then there's a classic guitar story. Joe
1:18:47
Satriani, who I think is also just virtuoso. The guy
1:18:51
is so good. You can look it up on YouTube.
1:18:55
There's two versions. There's a longer version, and he's going
1:18:59
to give me guitar lessons. He's going to show me.
1:19:02
Now, I'm not actually holding a guitar, but he has
1:19:05
a guitar. He says, okay, Adam. And he says, now,
1:19:07
this is, I mean, he does some, and he has
1:19:09
a little bit of stuff back and forth, but that's
1:19:11
not really what makes you a great guitar player. And
1:19:13
here's something you can practice, Adam. faces so it was
1:19:17
teaching the right face to make when you oh when
1:19:23
you hit when you hit this one you go you
1:19:25
gotta get point the lips back like that and you
1:19:27
gotta close your eyes that's what makes a great guitar
1:19:32
player right there that's great stuff Yeah, you can have
1:19:36
the sound. It's not in the gear. I mean, Ted
1:19:38
Nugent told a story about Eddie Van Halen where when
1:19:41
he met him, he's like, you know, how do you
1:19:42
get that sound? And Eddie handed him his guitar. He's
1:19:45
like, I played it. I sound like Ted Nugent still.
1:19:46
I don't know how he, you know, made those sounds.
1:19:50
It wasn't trickery. It wasn't gear. It was just pure
1:19:53
talent in the way he played. Talent and tone, man.
1:19:56
That's what it is. Yes. And the tone comes in
1:19:59
the hands.
1:20:00
Yes, it does. Yeah. You cannot fake it. However, you
1:20:15
had to play it backwards because it was a gold
1:20:18
or platinum-plated version of, I guess they call it the
1:20:20
mother. Right, so it was an inverse, right? Inverse, yeah.
1:20:25
So you literally had to play it backwards, but they
1:20:29
did play. They actually did play. Later, it was just...
1:20:34
I mean, I still, mine still have, later I got
1:20:37
the CD versions from Michael Jackson and Aerosmith, which is,
1:20:41
those are some of my, I like those because I
1:20:43
can always, you know, connect the story to it. But
1:20:45
I have a lot of the old school platinum and
1:20:48
gold records and they all have a little cassette stuck
1:20:52
to the. The right hand bottom corner, you know, because
1:20:56
it also sold on cassette back in the day. And
1:20:58
those, of course, over the years have, you know, come
1:21:00
unglued and dropped and they're kind of loose in the
1:21:02
case. Memorabilia is fun. Def Leppard. In, I don't know,
1:21:10
90... Maybe 90 or 91, Def Leppard did a tour
1:21:15
in the round. And, um... Okay. MTV sent me out
1:21:21
to go cover him in... man, I want to say
1:21:24
Atlanta, the Omni, I think that, yeah, I think it
1:21:26
was the Omni in Atlanta. I think so. I can't
1:21:29
remember what it was. And they were in the round.
1:21:32
So, you know, there's audience on all sides. And the
1:21:36
way they got the band, you know, from, you know,
1:21:39
the dressing room into, you know, underneath the stage was
1:21:44
in, you know, these big laundry carts. And so before
1:21:47
the lights went down, you see these folks, you know,
1:21:49
just push along these laundry courts and the guys got
1:21:52
out. And that's kind of how I in this the
1:21:54
way you know the way the memes were working it's
1:21:56
like yeah just hiding him there But the press is
1:21:59
mad. That's what they did with David Lee Roth. Wow.
1:22:03
Here's another story. In the Eat Em and Smile Tour,
1:22:07
they get him from one side, from the stage to
1:22:10
the back to ride the surfboard across the audience. He
1:22:12
rides this giant surfboard. And that's how they had him
1:22:15
in a road case. But it was a big road
1:22:17
case. It probably had a seat in it. It probably
1:22:19
had some Jack Daniels and a fan and whatnot. And
1:22:23
they pushed him over there. And then he floated across
1:22:27
the crowd on a surfboard. And, of course, the press
1:22:29
was mad. While Steve I was playing an amazing solo.
1:22:32
And it was a contest and it was a hundred
1:22:35
winners and it would be, it was a cool MTV-like
1:22:38
contest actually. A hundred winners would go to the North
1:22:40
Pole for a concert with Metallica. Actually, it was Metallica,
1:22:46
Hole, so Courtney Love, and one other band, I can't
1:22:52
remember. And we did a cybercast from the North Pole,
1:22:55
and it was pretty interesting, because the only way to
1:22:57
do it is we took a multiplexer, so we could
1:23:00
take 24 phone lines and basically convert that into like
1:23:03
150 kilobits per second or whatever. And we had that
1:23:08
linked all the way down from Tuk to Yuktuk. which
1:23:12
is Northwestern territory. So, and, you know, literally like, you
1:23:16
know, a couple miles inside the Arctic Circle there. Well,
1:23:21
let's get back to the how did you get to
1:23:23
the North Pole? the dark period it was light for
1:23:52
24 hours straight which was really really weird Um... And,
1:23:57
of course, you're up there. We had our crew, and
1:24:00
we're sleeping in the oil barracks, if you will. And
1:24:04
as is Metallica, as is everybody. And so, you know,
1:24:08
we're looking. There's nothing to do, obviously. And it's dry,
1:24:13
right? There's no alcohol. It's forbidden. But, you know, we
1:24:15
figure we can probably figure something out. So we go
1:24:17
outside and it's midnight. But, you know, kids are riding
1:24:20
around on their bikes and it's as if it were
1:24:22
midday. And so some of the kids come over and
1:24:25
we're, you know, say, hey. Wait, wait, wait. Let's back
1:24:29
up a minute. There's a bunch of people at the
1:24:32
North Pole. Well, it's not exactly on the North Pole,
1:24:35
North Pole. within. I don't know. What is it? 50
1:24:40
miles, 75 miles. Yeah. There's all kinds of villages. I
1:24:48
thought it was pretty barren up there. It was pretty
1:24:51
barren up there. Oh, okay. No kidding. You know, the
1:24:56
next town was several hundred miles, and that was... Inuvik,
1:25:01
I think is what it was called. Anyway. September actually,
1:25:08
I remember because it was my birthday. I put my
1:25:11
toe into the Arctic waters. of the pole. I dip
1:25:15
my toe in. It's a tradition, I think, is what
1:25:17
it was. So we say to these kids, hey, man,
1:25:19
do you know we can-- Tradition. --we can get something.
1:25:24
Oh, you want the drug dealer? Yeah, he lives in
1:25:26
that house right over there. drunk dealer. I swear to
1:25:29
God. These kids riding around on their bikes. It was
1:25:33
a fantastic experience. Well, you got me on that one.
1:25:40
I know another guy who, like a year or so
1:25:43
ago, went to Antarctica. There's a cruise, I guess, you
1:25:47
can take. Icebreaker. Icebreaker cruise. Yeah, I think I've heard
1:25:51
about that. Yeah, you leave from somewhere in South America.
1:25:54
It gets down at the tip, down in southern Argentina,
1:25:57
I suppose. and boat over there and crack your way
1:26:01
into the... And that's supposed to be even worse than
1:26:04
the Arctic. It relates to why I was there. I
1:26:08
was shooting a television commercial for Sam Goody. And we're
1:26:13
shooting it at the Sam Goody store in the Mall
1:26:14
of America because, of course, that's their flagship store. It's
1:26:17
the biggest one or whatever. And so it's like a
1:26:20
three-day shoot. And the second night I'm there, I get
1:26:22
a call around midnight in the hotel room. So I
1:26:25
pick it up and, yeah. Yeah, Prince has a party
1:26:29
over at Paisley Park, which is famously in Minneapolis as
1:26:32
well. He says, do you want to come? I'm like,
1:26:34
let me think. Yeah. He said, okay, well, there's a
1:26:37
car downstairs waiting for you. And so I got whisked
1:26:40
away to the Purple Palace. And there was a party
1:26:45
at the Paisley Park. Yeah, it's a happening town. So
1:26:52
how was the party? Did you get to meet Prince?
1:26:55
Yeah. Was he going by the name Prince at the
1:26:57
time? Yeah. No, I think he was going by the
1:27:01
name of Prince at the time. Yeah. So you come
1:27:04
in, you go through a metal detector, which makes sense.
1:27:06
And then there's a whole bunch. It's really clean. Now
1:27:09
you know you're going to a real party. Real party
1:27:11
when you go through a metal detector. Yeah. So it
1:27:14
was a big room, lit, but dimly lit, but a
1:27:20
white room across one side. just the nicest buffet I'd
1:27:24
seen in a long, long time. And there was a
1:27:26
DJ with like a mobile setup, and he was playing
1:27:29
all kinds of Prince tunes you've never heard before in
1:27:32
your life. And it's like, there must have been 150
1:27:35
beautiful girls and boys, nothing else, of course. It was
1:27:38
kind of funny, because Prince was standing over by the
1:27:41
speakers near the DJ. And I was talking to a
1:27:45
couple of people. I said, I'm going to go over
1:27:46
and say hi to him. And this one girl, I
1:27:48
kid you not, says, oh, you better not do that,
1:27:50
man. You better not. Why not? Well, because you're like
1:27:54
six feet tall and you're white, man. That's two strikes.
1:27:56
You don't want to be talking to Prince. Fuck you.
1:27:59
So I went over, introduced myself. And the guy was
1:28:02
not, first of all, he's not that small. You know,
1:28:06
the stories about him, you think he was an Oompa
1:28:08
Loompa. But anyway, and he was really nice and he
1:28:13
knew, you know, what I had done on MTV just
1:28:16
the previous week and he said, and my daughter had
1:28:19
been born maybe she's a year old and said, how's
1:28:22
your daughter? And he knew what was going on. It
1:28:24
was fantastic. He's a business. He's a artist slash businessman.
1:28:29
Absolutely. Why would he be a jerk like this girl
1:28:32
thinks? Because, well, she obviously likes to project that image
1:28:35
for good reason because he doesn't want to be bothered
1:28:37
by every schmuck in the world. By her in particular,
1:28:39
I think. And the coolest thing, though, was because the
1:28:44
party ends at a certain point. You know, Prince, of
1:28:46
course, he only made his appearance and he was there
1:28:48
for a little while and then he disappeared. And then
1:28:51
all of a sudden, you know, his guys come through
1:28:54
this room and all they do is they just kind
1:28:56
of like flick flashlights on and off pointed at the
1:29:00
floor. And they just walk around. They're clicking their flashlights
1:29:03
and everyone knows, oh, it's time to go. And then
1:29:05
within 15 minutes, the whole place was empty. Huh. Yeah.
1:29:10
So like a slick party. Very slick party. In hindsight
1:29:15
though, I was thinking, you know, we started our careers
1:29:17
around the same time and I work with her. When
1:29:20
I was 19, I think she was 20, maybe I
1:29:23
was 20, she was 21, and she was on the
1:29:25
show I was presenting at the time in Gitmo Nation
1:29:29
Lowlands. And this was when she had her first hit,
1:29:33
I Want to Dance with Somebody. And I recall thinking,
1:29:36
wow, she's really strange. She was a complete, in hindsight
1:29:39
now I realize she was, of course, an MKUltra subject.
1:29:42
She was completely mind-controlled. Did whatever her handlers told her
1:29:47
to do, not a single smile. We were young, you
1:29:50
know, like when you're young, you're supposed to be like,
1:29:51
man, isn't this cool? Can you believe this shit? This
1:29:53
is awesome. Look what we're doing. We're on TV. You're
1:29:56
singing. You know, no, just nothing. Just a complete non.
1:30:00
Blink stare. Raquel Welch passed away and that reminded me
1:30:03
that I met her in the late 80s. Raquel? You
1:30:06
called her Raquel? Raquel. Raquel Welch. I thought the other
1:30:10
name was funnier. You did meet her. How was she?
1:30:13
What kind of a person was she? I met her
1:30:15
in the late 80s. Maybe it was like 88, 89.
1:30:18
And I can't remember if she was in a movie
1:30:20
or she was part of a, maybe it was some
1:30:22
promotion. And I remember MTV said, oh, you should go
1:30:25
there and make it, you know, she'd go and see
1:30:27
what's going on or something. I didn't know what it
1:30:28
was. It was very early on at MTV when I
1:30:30
still lived in the city. Did she make a pass
1:30:33
at you? No, she was really very quiet. very docile
1:30:38
like just almost like you know almost didn't say anything
1:30:42
and and she must have been like 50 or early
1:30:45
50s then here's the thing here's the thing that i
1:30:47
noticed And this is going to sound weird, but it's
1:30:51
the only story I have about Raquel Welch. I'll never
1:30:53
get to tell it again. Just like Christina Applegate, she
1:30:59
had a layer of fur, a fuzz. like all over
1:31:03
her face and her arms, very light, very, you know,
1:31:06
like bleach probably, just fur. Like her face had... Furry.
1:31:10
Yes, her face had fuzz on it. And I remember
1:31:13
going, wow, that's kind of interesting. And the same thing
1:31:15
happened to me when I met Christina Applegate at the
1:31:17
MTV Awards one time. Some women have fur. Did I
1:31:22
ever tell you that, that I interviewed Jamie Lee Curtis?
1:31:26
No, this is a story for the show. Yes. Did
1:31:31
she hit on you? Because you were a good-looking guy
1:31:33
back in the day. I was into it. What is
1:31:37
this, Dvorak? I'm still a stud. Back in the day.
1:31:42
I digress. It was probably 19... When did Footloose come
1:31:50
out? So Footloose came out. I think it was either
1:31:55
foot or mouth. I interviewed Kenny Loggins. And maybe it
1:32:00
was... Top Gear. I can't remember. But then, oh, yes,
1:32:05
because we're doing something for the MTV Awards. I was
1:32:08
in Los Angeles and then I interviewed Jamie Lee Curtis
1:32:10
and it was right around when Fish Called Wanda was
1:32:13
coming out. and was at her house. And I remember
1:32:17
it was, she said, so it was after we were
1:32:20
done recording, and we're just chatting, and she says something
1:32:23
to me, and I don't get the joke, and she
1:32:25
says, Adam, don't you know I was born a hermaphrodite?
1:32:30
And I'm like, what? He says, yes, my parents chose
1:32:35
female for me, but probably was the wrong choice. Well,
1:32:39
she said it was probably the wrong choice. Yes, that
1:32:42
that was probably the wrong choice for her. Isn't that
1:32:45
interesting? Then we walk out for coffee. Then coffee, we're
1:32:49
back in the cocktail reception area. And the king and
1:32:53
queen are just mingling. And the queen comes over and
1:32:56
I'm talking with her for 20 minutes, just drinking coffee.
1:32:59
And she's very tall. And she, I'd say, well, she
1:33:03
had five inch heels on. I looked very closely at
1:33:05
what she was wearing because I know I had to
1:33:07
report to a number of women in my life. I
1:33:11
mean, she's a very charming woman. Deep brown eyes. Lots
1:33:19
of wrinkles around the eyes. Very little, very little makeup.
1:33:23
Maybe just a base. Almost nothing. Hair. This was not
1:33:26
a big public event. I don't even know if she
1:33:28
washed it. It looked stringy. No, I'm being honest. I'm
1:33:32
being honest. Yeah, a little bit like a hippie girl.
1:33:34
And by the way, about halfway through this 20 minutes,
1:33:36
there was a hair flip. I just want to say.
1:33:41
I'm like, oh, hair flip. Uh, Gray- I'm not glad
1:33:44
you noted that, that's good. Was right next to me!
1:33:47
Did she hit you in the face with her hand
1:33:49
or anything in the process? No, no, no. There was
1:33:52
a, so she was wearing a gray pencil skirt. What
1:33:56
bugged me was the jacket. These details aren't interesting. There
1:33:59
are women who listen to the show, John. Think about
1:34:01
the demo. the demo just for a second she was
1:34:05
wearing a gray pencil skirt yeah the problem was the
1:34:08
jacket was so how many pencils does it make so
1:34:11
ill-fitting in the back that the it was like she
1:34:14
was holding her shoulder blades back and it was kind
1:34:16
of the perch this is unacceptable it was It's like
1:34:21
no one looked at her and said, nah, that jacket's
1:34:23
no good. Only vintage jewelry, very understated, but not really
1:34:27
pretty. Just looked like old grandma's old stuff. I'm sure
1:34:30
it was grandma's old stuff. You know, the old queen.
1:34:33
Yeah, it was grandma's old stuff. Yeah, sure. But, you
1:34:36
know, nothing like mind-boggling. Just, I was like, eh. You
1:34:40
know, wasn't really spectacular. That's just me. So then, but
1:34:47
listen. And she says, How's your daughter? She's great. Yeah,
1:34:54
yeah. She's doing all kinds of fun things. Comparing notes
1:34:59
as parents about, you know, my daughters, they're now 15.
1:35:02
I think they know everything. And your girlfriend or wife,
1:35:07
girlfriend, she works at Ronald McDonald House. Yeah, she runs
1:35:10
the whole thing. So, yeah. And she knew everything, all
1:35:14
this stuff, all these details. Yeah, they had the dossier
1:35:16
open. Yeah. The two of them got together before the
1:35:21
thing? I said, what do you think we should talk
1:35:22
about with these idiots? Well, I think they must have...
1:35:25
I don't know. Let's see what we got here. I'm
1:35:26
hoping... Look at this. Well, this curry guy's kind of
1:35:29
interesting. I met the Queen. She invited me to Buckingham
1:35:33
Palace. I went into the front gates with the chauffeured
1:35:35
car, you know, waited in this hall with other people.
1:35:39
Give the preface, give us a little idea. You weren't
1:35:42
just, oh, let's get Adam over. That's exactly how it
1:35:45
was. Is there some other reason? No, it was just,
1:35:48
hey, he's in town. I hear he's in town. He's
1:35:50
a podfather. Bring that mofo over. It was the relaunch
1:35:54
of the Queen's website. the royal website and uh and
1:36:00
so there was a a party and it was what's
1:36:02
the um Tim Berners-Lee. So maybe it came through him.
1:36:08
That would be something that he would have said, oh,
1:36:09
yes, Curry's here. um and uh i i still had
1:36:14
the invitation it was beautiful you know like a like
1:36:16
a block of wood Her Majesty requests your attendance. And
1:36:23
so they pick you up in a car. It was
1:36:25
a Mercedes, by the way. Oh, the horrors. And they
1:36:29
went right through those front gates of Buckingham Palace. And
1:36:31
then we went in this big hall and waited for,
1:36:33
I don't know, 20 minutes. But it was a hall
1:36:36
that was interesting because it had just all these master
1:36:39
artworks that you recognize. Oh, that looks like Rembrandt Van
1:36:42
Gogh, but you don't really recognize the painting. And then
1:36:45
we go in and then we all get to meet
1:36:46
the queen. And she's standing on a box, of course,
1:36:49
and she had her gloves on and she wasn't holding
1:36:53
her handbag like she was in that picture meeting the
1:36:56
new prime minister. And I did something which you're not
1:36:59
really supposed to do, but I promised myself I had
1:37:02
to do it. And I looked into her eyes when
1:37:05
I shook her hand. You're not supposed to do it?
1:37:09
No, no, you're not supposed to. Are you supposed to
1:37:12
look down or something? Yeah, yeah, yeah. And I saw
1:37:15
nothing. It was kind of eerie. She's a robot! Kind
1:37:20
of eerie. I don't know, I don't know, man. They
1:37:22
weren't slanty, so I don't think she's of the list,
1:37:24
or she hadn't transformed. And the only other thing I
1:37:27
can really say is that she served mums champagne. which
1:37:31
is kind of like, really? I mean, that's like... $20
1:37:36
a bottle in HEB. Well, it's not that cheap, but
1:37:40
it's a real champagne. And they have a higher end
1:37:43
version. It was just a standard, standard mums. It's not
1:37:47
really that great. And I'm sure I voted for Bill
1:37:50
Clinton. I'm quite sure of it, you know, because it
1:37:54
was cool. Boxes or briefs, Mr. President. And I got
1:38:00
an invitation from Hillary to go visit the White House.
1:38:03
Did you really? I want to know more about this.
1:38:05
Yeah, I wish. I wish. You didn't go? No, I
1:38:10
was on assignment. I think at the time I was
1:38:12
doing the... I was the only guy who could ski
1:38:16
at MTV. And they did a deal with the pro-Mogul
1:38:22
skiing tour, which meant someone had to go out. Unfortunately,
1:38:26
someone had to go to every single awesome skiing place
1:38:29
in the United States and British Columbia. I went to
1:38:34
Whistler and I would do the top 20 countdown, a
1:38:38
couple of segments. And when I got back, someone said,
1:38:42
oh, yeah, this came to you up at the office.
1:38:44
And you have to understand, the office and the studio,
1:38:46
there was two different worlds. The MTV News department, which
1:38:50
came in at a certain point, and they hated us.
1:38:53
They just hated the VJs. VJs were just scum to
1:38:56
them. We never got invited to the Video Music Awards.
1:38:59
Oh, yeah, you can have a ticket. Oh, yeah, you
1:39:01
can get a ticket if you fly yourself out. Oh,
1:39:03
yeah. Wow. Yeah. And this invitation had come in from
1:39:08
the White House. I still have it. It had come
1:39:09
in from the White House. The First Lady requests your
1:39:12
presence. but so I it already passed by the time
1:39:17
I got the invitation You gotta say hello to General
1:39:20
Flynn, General Flynn. Come on over, come on over, come
1:39:22
on over, come on, come on, come on, come on,
1:39:23
come on, come on. You make him sound like a
1:39:27
cat in a cartoon. Anybody who knows Joe will be
1:39:30
like, that's Joe. That sounds exactly like Joe. Yeah, okay.
1:39:33
And so we go over like, yeah, yeah, yeah, yeah,
1:39:38
do a picture, do a picture. And Flynn is there
1:39:42
basically just being inundated by people the whole time, taking
1:39:45
pictures with him. Yeah, that's what he does. He's got
1:39:48
his tuxedo on. And then we line up for a
1:39:52
picture. And then Joe's like, did you ask him where
1:39:54
Putin was? He looked around. That's what I would have
1:39:56
done. I mean, I barely had time to thank him
1:39:59
for his service.
1:40:01
But Joe was like, yeah, this is General General. This
1:40:04
is Adam Creep, Headbangers Ball. And Flynn looks at me,
1:40:06
huh? What? Headbangers Ball? What of all the things Joe
1:40:12
could have said about me is like, hey, Headbangers Ball.
1:40:16
Oh, brother. Flynn gave me a look like, OK, who's
1:40:21
the lawyer? because I had my suit on. Remember Gopher
1:40:26
and Usenet? Those were the days. Gopher. Gopher, man. That
1:40:32
was the pre-Golden Age. Did I ever tell you my
1:40:34
gopher story? No. Yeah, probably, but tell me again because
1:40:40
I easily forget some of these stories. So I'd registered
1:40:43
MTV.com. Then I ran it on a Headless Son 3
1:40:47
at DigX in Virginia, I think, above a Chinese restaurant.
1:40:52
And I really just said, what domain names? I don't
1:40:55
know, MTV.com. Okay, boom, didn't have to pay anything. Same
1:40:58
time I got Curry.com. I was like, okay, I'll get
1:41:00
that. And Elvis.com, I had that, a lot of domain
1:41:02
names. And of course there was no web then, so
1:41:05
I set up a Gopher server. And that, you know,
1:41:08
for me as a VJ blonde and everything, you know,
1:41:11
setting, compiling binaries and doing all those, it was quite
1:41:15
a learning curve, but I got it to work. And
1:41:17
I put up little bits and bobs. Now, for those
1:41:18
of you who don't know what Gopher is, it was
1:41:20
a text-based navigation system with hyperlinks and was pretty much
1:41:23
the precursor to the web. And then I got a
1:41:26
cease and desist from the University of Minnesota. And they
1:41:29
said, well, you're using that commercially. I said, no, this
1:41:31
is not MTV. This is me. I'm doing it. They're
1:41:33
letting me do this because they don't think the internet
1:41:35
is going to be anything. And they're very proud of
1:41:38
the keywords they have on AOL. So we're had, they're
1:41:40
all happy. Yeah. Keyword MTV. That's right. Yeah. And music
1:41:43
television. Whoa, it was a double whammy. And I think
1:41:46
they also had some gateway on Prodigy, so they were
1:41:49
all set. I didn't realize that Gopher had a provision
1:41:52
against commercialism. Yes. And they said, you need to pay
1:41:56
us $5,000. I'm like, I don't have $5,000. I don't
1:42:01
have it. And, uh, but I came up with, you
1:42:04
just had a website. Where'd the gopher angle come in?
1:42:07
Because I was, I was using gopher on mtv.com. So
1:42:11
when you could use it, you know, it's a gopher
1:42:13
D. So it's a demon. It's a service. It's the
1:42:15
actual software that makes gopher work. Okay. So they were
1:42:19
saying you have to pay a license. I can't pay
1:42:21
that. And then we came up with a deal and
1:42:24
you can, if you, if you search for this on
1:42:26
YouTube, you'll find it. I said, what I'll do is
1:42:28
I'll wear the university of, uh, Minnesota, I think. I'll
1:42:33
wear your Gopher t-shirt on MTV. You mean like a
1:42:37
sweatshirt or a t-shirt? No, a t-shirt. And they said,
1:42:40
okay. That was it. That's worth 5,000 bucks. Probably more
1:42:44
at the time, but yeah. Anyway, I've never heard that
1:42:50
story. Yeah. I think I remember that one. That's pretty.
1:42:53
That's what happened. Watching this trial, though, took me back
1:42:58
to my time in court with MTV Networks. And particularly
1:43:04
during the prosecution, I recall so vividly having gone through,
1:43:08
because, you know, I had, for those who don't know
1:43:10
it, I'd registered. Prosecution? Were you under some criminal indictment?
1:43:14
That's the way I felt. It felt like prosecution. It
1:43:16
was the lawyer for MTV. It was the lawyer for
1:43:19
MTV. Felt like prosecution. You were being sued. Let me
1:43:22
explain how it felt, though, because I think it's the
1:43:25
same general thing. And so this is about MTV.com, which
1:43:28
I registered. They said, don't worry about it. We don't
1:43:30
give a shit about the Internet. and they didn't even
1:43:34
ask for it back. They just sued me, so I
1:43:36
countersued and went back and forth. So then we went
1:43:38
through discovery. And I, you know, I was literally... with
1:43:42
two interns for days in a lawyer's office pulling emails
1:43:47
off of floppy disks. This is how, I mean, this
1:43:50
is a long time ago. This is 1994, I think.
1:43:54
But I recall so vividly MTV's lawyer presenting their case
1:44:00
and sitting there going. Well, e- shit, did I do
1:44:06
something wrong? If you put it that way, it sounds
1:44:09
like I'm a horrible person. And even though it's just
1:44:13
like, well, wait a minute, that's the facts, but you're
1:44:16
presenting it in a really different light and it makes
1:44:18
me look horrible. And I just remember how scary that
1:44:22
was. And I think that that's, you know, when you
1:44:26
get the same facts and you have prosecution versus defense
1:44:30
in this criminal trial. It's kind of the same thing.
1:44:33
Like, well, you can turn everything in different directions and
1:44:35
make it sound a certain way, and we have the
1:44:38
benefit of knowing a lot more. What's the best dirt
1:44:42
in there? Well, it's all good dirt. The way they
1:44:45
did it is, I haven't really ever seen this. Essentially,
1:44:49
they interviewed a lot of people. I know they interviewed
1:44:51
me for like five hours and recorded it all on
1:44:53
tape. And they transcribed it and they just put all
1:44:56
these quotes one after another for 600 pages about different
1:44:59
topics. And it was pretty interesting. It's a long read.
1:45:04
But it's, uh, they had my quotes right, so I
1:45:07
presume they did everyone else's quotes right. And as it
1:45:11
turns out, what I suspected, I now know for sure,
1:45:15
that I was fired from Headbangers Ball thanks to Axl
1:45:18
Rose and Doug Herzog. Axl Rose got me fired. Why?
1:45:24
Because his heroine buddy was Ricky Rackman. And of course,
1:45:29
Ricky Rackman has no talent. And then Axl, they were
1:45:32
watching me on Headbangers Ball. And Axl says, hey, man,
1:45:35
wouldn't you want to be a VJ? And he said,
1:45:39
"Don't worry, I'll make a call." And of course, Axl
1:45:41
Rose calls MTV, they're all blowing him. And like 24
1:45:45
hours later, I was off the show. That's deplorable! guys
1:45:53
That's deplorable. That's totally deplorable. I fought to get Guns
1:45:58
N' Roses played on the show.
1:46:23
in the band actually like him. But yeah, it's true.
1:46:28
MTV would not touch Guns N' Roses. They're like, we
1:46:30
can't play this. He's got a video where he's getting
1:46:34
electrocuted in an electric chair. And I'm like, yeah, play.
1:46:39
And then they started playing them and then they got
1:46:41
me fired. Serves you right. And look at where I
1:46:46
am now. You have to understand that I am persona
1:46:49
non grata in the official circles. So MTV has its
1:46:55
30th anniversary on August 1st. Yeah, guess who's not going
1:46:59
to be in it? Seriously. Me? I'm not going to
1:47:04
be in it. You're right. Yeah, John, you're excluded. And
1:47:07
they're going to be talking about Headbangers Ball and that
1:47:10
douchebag Ricky Rackman will be on like he owns the
1:47:13
show. I shouldn't get too far. I mean, you know,
1:47:16
it's what happens when you sue a big corporation and
1:47:19
win. I wouldn't invite you either. It's bad. But it's
1:47:23
like they're erasing me. What do you expect? I'm rubbed
1:47:25
out. I'm rubbed out from history. They just erased me.
1:47:29
So the Rock and Roll Hall of Fame Museum, yeah.
1:47:32
You know what? Here's what will happen. I'll show up.
1:47:34
They can't get you out of the Swamp Thing movie.
1:47:36
That's where you're going. That's true. Now I'm there forever.
1:47:39
I'll show up and they go, hey, Adam Curry, great.
1:47:42
That'll be a $39 entrance fee. No, no, no, there'll
1:47:45
be two big goons hauling your ass and throwing your
1:47:48
butt out the door. Get out of here, kid. Well,
1:47:52
there you go. Maybe that should turn into a book
1:47:56
one day. What do you think? I'm sure there's more
1:47:58
that I can talk about. MTV Chronicles, I don't think
1:48:01
we've ever done one of these. We may have had
1:48:03
some of Adam's stories, but not necessarily the MTV Chronicles,
1:48:06
so... I hope you enjoyed it and definitely something we
1:48:12
can do again in the future. Again, it sounds like
1:48:14
an audio book or just a book in general. It
1:48:17
might be something there. I've got to think about it.
1:48:20
The Memoirs. A reminder, we have special guest co-host Dana
1:48:27
Brunetti, Mr. Hollywood himself. producer of mega hits like House
1:48:33
of Cards. Um... Fifty Shades of Grey, Fifty Shades of
1:48:39
Greyer, many more. Captain Phillips, we'll talk about all of
1:48:43
it. And we'll run through the news with him. And
1:48:45
he's even buying a microphone especially for it. So tune
1:48:49
in for that. That'll be live Sunday, regular Gitmo Nation
1:48:52
time. Remember... Without your support, nothing else happens. Value for
1:48:58
value. Noagendadonations.com. Until Sunday. Adios, mofos. Hooey, hooey. And such.
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