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Taylor Swift's political silence sparks belief she voted Trump - NY Daily News
Tue, 05 Sep 2017 16:18
Taylor Swift has remained notoriously tight-lipped on her political leanings, but her friend and back-up dancer Todrick Hall says that anyone who takes her silence as evidence she voted for Donald Trump is making a "huge assumption."
Swift faced criticism throughout the election season for remaining mum, and not following in the footsteps of her fellow pop stars, who expressed their support for Hillary Clinton and disdain for Trump.
Her sole foray into the world of politics was as an apolitical Instagram post on Election Day telling her followers to "go out and VOTE."
But according to Hall, who has been friends with the "Look What You Made Me Do" singer for years, nothing about Swift leads him to believe that she's set on making America great again.
Every reference you missed in Taylor Swift's new music video
Todrick Hall defended Taylor Swift against assumptions that she voted for Donald Trump.(Todrick Hall via Instagram) "Many people have been tweeting me, 'She supports Trump! She probably voted for Trump!' They're making this huge assumption, when Taylor has never to my knowledge come out and said anything about her being pro-Trump," he told Yahoo! "But people would still rather believe that she is the one who is pushing Trump's agenda."
Hall also expressed frustration that Swift has been receiving the brunt of political criticisms while vocal Trump supporters like Kanye West have been let off the hook by fans.
"I'm like, 'So you are mad that you think she might support Donald Trump? But you're not mad that Kanye has been very openly pro-Trump?' I don't understand that," he said.
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The many BFFs of Taylor Swift West went on a bizarre rant onstage during his Saint Pablo tour in November, and told the California crowd that he did not vote in the 2016 election, but if he did, he "would have voted on Trump."
Taylor Swift's 'Look What You Made Me Do' is shattering records
The rapper also stopped by Trump Tower in December for a 15-minute chat about "life" and "multicultural issues" with the then-president-elect.
Hall, meanwhile, also maintained that despite the fact that Swift is not outspoken on social issues, she's not blind to them, and cited an instance on Thanksgiving where Hall, Swift and an African-American friend of theirs watched Ava DuVernay's "13th" on Netflix and had a frank discussion on racism.
Swift has never discussed politics, save for an Election Day Instagram post telling her followers to vote.(CARLOS BARRIA/REUTERS) "Maybe one day, Taylor will start being super-political, and using her voice to do the things that people think that she should be doing," he said. "But even then, she will probably be ridiculed for not being vocal enough, or not being on the right side. I don't think that there is a way to win in this industry, so every person has to take their own journey at their own pace, at their own time, and do what they feel like is right."
Political activist or not, Swift recently re-emerged from a quiet 2016, and is back dominating headlines thanks to her upcoming sixth album, "Reputation."
Taylor Swift's video director refutes 'Formation' comparisons
She debuted the album's second single, "'...Ready for It?" Saturday night in a college football promo on ESPN.
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Celebrities Under Mind Control | FreemanTV.com
Mon, 04 Sep 2017 12:26
If you believe that slavery is a thing of the past, you are still a slave. The continuity of the practice of slavery on planet earth is staggering. The idea of owning another person is as old as civilization itself, going all the way back to ancient Sumer. Predating all other forms of coerced labor, not only is it ancient, but it is oh, so contemporary...and fashionable!When Bob Marley sings about slavery, he calls it the Babylon System and hits the nail on the head. The Bible calls Nimrod, the King of Babylon ''a great hunter before the Lord." According to archeology and biblical context, the word ''hunter'' translates to plunderer or conqueror. Nimrod was immortalized not for his skill in hunting beasts, but in the success of his slave trading and the hunting of men to establish his imperial kingdom of tyranny. Nimrod hunted men and brought them into bondage to Babylon and forced them to build him a great tower to piss off Yahweh. The foundation of Babylonian society was the slave population; the necessary component of all mass economic activity. The sources of their slave supply were endless. Military conquests furnished many; others had fallen from the position of free laborers; still others were purchased from abroad, or were children of native slaves. Nimrod's Babylon is associated with slavery, military and economic power, seduction, and worship of the state.
If you want to see the Babylon system at work today, look no further than Hollywood. Every year the Academy Awards are held in the heart of downtown Hollywood at the Kodak Center. Adjacent to the theater is the Hollywood and Highland Center called the Babylon Courtyard. Its d(C)cor is taken straight from a 1916 movie about ancient Babylon called Intolerance. Four story columns topped with standing elephants surround an archway depicting two curious characters. The figure on the left holding the basin of water is Enki, one of the Annunaki brothers who were gods of the ancient Sumerians that came to earth to genetically engineer a slave race. Enki is also known as Ea and is usually distinguished from other gods by two streams of water erupting from his body, or from a pot held in his hands. The figure on the right is the Assyrian god, Nisroch. Both of these gods were usually depicted holding a pinecone like object, believed to be an ancient depiction of the pineal gland, however, in the Hollywood version the glands are strangely absent.
The most famous of slaves were the Jews of Babylon, so it is ironic that their own empire of Hollywood is founded on slavery. During Hollywood's golden age of the 1920's and 1930's, major studios spent a considerable amount of money to help locate, establish, and groom their legendary celebrities. The studio did as much as possible, even dictating social activities and personal relationships to ensure proper exposure of their best stars. The process of becoming a star invaded every aspect of a person's life. These actors essentially became the property of the studio once they signed a contract. Remember, the foundation of black magic is the pact or contract. Actors and actresses operated on strict contracts and this situation kept the power in the studio's hands. An actor's contract also entitled the studio to assign them to any role it chose, as well as loan out its stars to other production companies. Because of this, stars very often found themselves playing roles they weren't too crazy about. Actors of the studio really had no power or control over their own careers; their futures were at the mercy of the studio that signed them. With strategic planning and decision making that took place at the highest levels of studio management, they built unknowns into household names.
Babylon's legacy of blood sacrifice, human trafficking and slavery has been handed down through the generations. It exists today through a practice of slaves creating slaves called trauma-based mind control victims. Survivor of generational Satanic ritual abuse, Jay Parker, recalls a story his mother once told him about the Statue of Liberty. She told Jay that it was, in fact, Semiramis, wife of Nimrod. She said that their tradition of ritual abuse to create slaves was the religion with no name, ''the old religion'' from the time of Babylon.
Today, if an artist wants to ''make it'' or have their art shared with the rest of the world, there are many gatekeepers and processes of dark initiation that they must pass through. Many times artists, through their work, spell out exactly what they must go through in the name of fame. In her thirteen minute music video, Marry the Night, Lady Gaga explains, in an artistic way, the trauma she is made to endure to become a super star. In the beginning, Gaga delivers a monologue that defines the plight of a mind control victim. While lying on a stretcher that is pushed by two nurses, she describes the way she perceives reality and only by escaping into her own world is she able to go on:
''When I look back on my life, it's not that I don't want to see things exactly as they happen, it's just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It's sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. It's not that I've been dishonest, it's just that I loathe reality.''
The creepy nurse that attends to Gaga after her trauma session says, ''I remember when I delivered you.'' A clue about how slaves are conditioned from birth from inside their circle of friends and family. When the camera pans out, it shows that Gaga is not alone. She is in a ward filled with victims who are going through the same conditioning. In the video, the transformation from the real Stefani to her alter, Lady Gaga, is symbolized by the dying of her hair blonde. Ritual abuse survivor and Mother of Darkness, Arizona Wilder, explains that the dark occultists prefer their ritual goddesses blonde. In the context of the video, the expression ''marry the night'' takes on a metaphysical meaning. Marriage is a binding religious ritual. To marry the night means that Gaga is bonded to the elite occult slave masters and embraces her own ''dark side''.
The Britney Chronicles
Britney Spears' career is a perfect case study of trauma-based mind control in the entertainment industry. From Lolita/kitten themes to group sex to Mars and clone labs, practically every aspect of MK ULTRA programming can be witnessed in her career. When her music videos are watched in chronological order, they tell a horrific story of never ending enslavement.
Britney has been a performer since her childhood days of Disney's Mouseketeers and won many pageants and talent competitions in the vein of Toddlers and Tiaras. Her 1998 first hit single, Hit Me Baby One More Time, is an obvious reference to physical abuse and identification with her handler and she appears in a uniform similar to a catholic schoolgirl.
The Babylonian Mystery Religion eventually became the Roman Catholic Church and factions of the church are at the root of the mind control network. Survivor Cathy O'Brien's formal induction as a presidential model mind controlled slave began with her first Holy Communion where she was given the ''Rite to Remain Silent.'' She received a Rosy Cross necklace which would lead her through the rest of her mind controlled existence. Her abuser told her he worked for the Vatican and now, so did she. The Rite to Remain Silent is anchored in the ''Vow of Silence'' performed by the Jesuit monks. At the end of the music video Britney awakens from her disassociation to find that the entire scenario was all in her imagination. This becomes a common theme in many of her videos.
In the 1999 video, You Drive Me Crazy, Britney co-stars with Nickelodeon star, Melissa Joan Hart otherwise known as Sabrina the Teenage Witch. The setting is a factory for mass producing slaves. Common lyrics of her songs include the mind control themes of being lonely, losing her mind, losing her senses or going crazy. That same year she released Born to Make You Happy '' a reference to the generational programming that usually begins before birth. The video opens with Britney dreaming/disassociating on a bed made of two cubes. She's wearing a shirt covered in Monarch butterflies. In the world of dark occultism, the double cube, or hypercube represents an inescapable prison and the butterflies represent the genetic memories pass through the bloodline. Britney is related to Laura Bush, after all.
In 2000, Britney's masters released the video, Oops I Did it Again, in which Britney is shown laying on a bed made of two eight-pointed stars that represent Inanna/Ishtar, the goddess of Babylon. Sacred Prostitution and hermaphroditic bodies and feminine men were particularly involved in the worship and ritual practices of Inanna's temples. Inanna, Sumer's ''Queen of Heaven'', unlike any other deity, has the ability to descend into the netherworld and return again to the heavens. Many girls in the industry are led from innocence to the pit of Hell, and ''back again'' in honor of Inanna. The interlude of the this video is the most bizzare. An astonaugt meets Britney and she removes his helmet and to his surprise there is an atmosphere on Mars! He hands her a chunk of black stone. Britney exclaims, "But I thought the old lady dropped it into the ocean in the end?"-- a reference the Heart of the Ocean necklace from Titanic. The astronaut says, "Well baby, I went down and got it for you." In the Babylonian story of creation, the god Marduk battles the goddess Tiamat, who is the ocean deified. She is often seen to represent a female principle, whereas Marduk stands for the male principle. Marduk is victorious, kills Tiamat, and creates the world from her body.
As mega rituals were unfolding in 2001, Britney Spears blatantly sang I'm A Slave 4 U declaring once and for all who is controlling her. At her VMA performance of the song, she dances with a giant python on her shoulders. Scenes from a black mass of the Church of Satan look strikingly similar. In 2003, Britney became a fully grown woman and an industry veteran when she teamed up with Madonna to sing Me Against the Music, another video that ends with her waking up from disassociation. Her ''consecration'' into the Babylonian industry was celebrated in a symbolic performance during the 2003 VMAs, alongside fellow Mouseketeer, Christina Aguilera, where the two were wed to ''Hollywood'' by the Kabbalistic High Priestess, Madonna.
In her very next video, Toxic (2004) she appears as many different characters while playing a spy in some sort of weird espionage scenario. In mind control victims, the Delta alters are programmed to carry out assignments such as assassinations. Lady Gaga continues this assassination theme in her video, Paparazzi, when she poisons her boyfriend to death while dressed in a Mickey Mouse costume.
In the 2004 video, Everytime, Britney is shown drowning in a hotel bathtub. The scenario was chillingly close to the death of Whitney Houston at the Beverly Hilton in 2012. In her bathtub scene, she is wearing a Kabbalah bracelet. According to many mind control survivors, the Tree of Life from the Kabbalah is a structure that programmers use to house different alters. When Britney 'dies' in the bathtub, she is born again as a baby in a hospital. Could this possibly be an Aleister Crowley Moonchild reference? Once again, at the end of the video, she wakes up as if it was all a dream.
In 2004 Britney embarked on a world tour called The Onyx Hotel. It was described as a "unique, mysterious hotel powered by an onyx stone, where guests who enter shine their own light into the gemstone and make their fantasies come to life. It's a vibrant, whimsical place where wondrous dreams are realized, and the darkest of secrets are revealed." The tour was marketed to a different demographic than her previous tours, changing from families and children to a more adult audience and the show also heavily targeted the gay market. Britney told MTV that ''The onyx stone is kind of symbolic of what guides me in my life, like there's a bigger picture in everything, and there's something that guides you where you need to go.'' The onyx stone has a deep occult significance. According to Fritz Springmeier's work, The Illuminati Formula to Create an Undetectable Total Mind Control Slave, black onyx is used by the Mothers of Darkness to capture souls.
The concert begins when the master of ceremonies, a creepy, belligerent, one eyed cross between Fat Bastard and RuPaul, welcomes spectators to the Onyx Hotel. He takes an onyx and throws it into the video screens, causing a virtual chandelier to fall into the floor. Britney's face appears on the giant screen and says ''Once you check in, you can't check out.'' In a pre-recorded video interlude during the concert, Jada Pinkett Smith morphs through from another dimension to lead Britney down a dark alley to reveal a secret doorway to the ''Mystic Lounge.'' In the next act, there is a video interlude of Spears wearing a ribbon and flowered-themed dress and entering the "Mystic Garden". In mind control, alters are created called Ribbons, which are the beginning of the Luciferian alter-like demons. Ribbons live in the garden and guard the System's ''Garden of Eden.'' They are primarily the message bearers to the different, levels and alters. The ribbons might have angelic names such as Michael or Gabriel.
In 2006, Britney posted a repeated loop of her song ''Rebellion'' on her website even though it was not a single. In the song, she talks of people close to her using poison and voodoo. Was this the beginning of her realization? In 2007, she released an album called Blackout just as her programming began to deteriorate. This is the same year that Britney had her infamous breakdown. Survivors report that when victims of mind control approach 30 years old, their brain attempts to break the amnesiac barriers and reintegrate itself. First, she dyed her hair dark brown. She then walked into Esther's Hair Salon and demanded to have her head shaved. The owner told Britney that she would not shave her head and Britney took the shears and did it herself. When Arizona Wilder told David Icke of her escape from the Mothers of Darkness she said that she had dyed her hair brown to be removed as the ritual goddess of the order. When this wasn't enough to keep her out of the rituals, she then shaved her head. When Britney was asked why she did it, she replied that she was tired of people touching her and she didn't want them plugging things into her. She had been in and out of ''rehab'' before the salon incident. After she shaved her head, she checked into Promises clinic in Malibu where she terrified staff by scrawling 666 onto her bald head, screaming she was the Anti-Christ and then attempting to hang herself with a bed sheet. Nickelodeon star, Amanda Bynes, has exhibited some of the same bizarre behavior this year.
Even after all that, she had still not been able to break free, neither was she allowed to take a break. Her handlers stuck her in a blonde weave and a sparkly black bikini and sent her back on stage to lip-synch with auto-tune for her supposed "comeback" on the 2007 VMA's.
In January 2008, TMZ.com reported: ''Sources are now painting a very disturbing picture of Britney Spears, or whoever she happens to be at any given moment. We're told the whole British accent thing -- well, it's more than an accent. Britney has multiple personalities, including, as people in her life call it, "the British girl." We're told when Spears loses the British personality, she has absolutely no idea what she did during the time she assumed that personality. Sources say Brit has a number of other identities, where she becomes "the weepy girl, the diva, the incoherent girl," and on and on. Sources say Britney had become the British girl the day she didn't show for her deposition and has no recollection of it.''
Her 2008 video, Break the Ice, is an animation where Britney seems to enact some revenge on her handlers. Her character crashes an Eyes Wide Shut type Illuminati party and fights off the Men in Black. Dan Aykroyd has an interesting story that relates to the time some ''Men in Black'' monitored his phone call with Britney Spears. As Aykroyd spoke to his Crossroads co-star about appearing on Saturday Night Live with her, he noticed the MIBs observing him, but looked back a second later to realize that they had vanished. Two hours later, the producers of Out There, the program he was taping, were ordered to shut it all down. A coincidence until you realize that the show itself was about to set the stage for UFO disclosure. Aykroyd believed that this program was a key and motivation to socially transform the planet to a more peaceful, loving and tolerant state.
In Break the Ice, Britney finds a clone lab under the mansion where they are keeping hundreds of ''Britneys'' in liquid tanks. She battles the MIBs and blows up the lab. She then finds her handler, a robotic business man in a dark office and delivers a death kiss to him. That would be the second time she assassinated someone by kissing them. This video represented somewhat of a victory for Britney and ended with ''To Be Continued'...''
When mind control slaves begin to break their programming, their handlers will stop at nothing to get them back on track. Her victory was short lived as the press declared her insane, a drug addict, an unfit mother, and a ''trainwreck''. When a slave has outlived their usefulness or poses a threat, they are assassinated or programmed to self-destruct. This is called being thrown from the Freedom Train. In interviews, Britney can be seen switching between alter personalities. She talks of being completely alone, she tries to reach out to people but they don't understand what she is telling them. She describes her life as ''groundhog day'' and tearfully whispers ''I'm sad.''
Her 2011 album was named Femme Fatal. Her video Hold It Against Me was directed by today's go-to director for mind-control/occult imagery, Jonas Akerlund, who also directed Lady Gaga and Beyonce's video about mass murder, Telephone. In Hold it Against Me, Britney is wearing a white wedding gown that gives away the ritualistic aspect of the video. It seems that she wasn't all that successful in getting people to stop plugging things into her. In the video, she is shown attached to intravenous lines to further emphasize her mind control. While Britney is levitated, strange eyeless dancers emerge from under her gown. A quick shot of one eye with two pupils is shown for about a half of a second. The short scene is very significant, it represents the existence of multiple personalities within the same person.
Britney's 2011 video, I Wanna Go, tells the saddest story of all. It begins as Britney gives a press conference where she declares she's pregnant with Brad Pitt's quintuplets. During the video she sexually harasses a fan, seduces a baby, flashes a cop in front of a child and gets searched/molested by said cop. She slaughters the paparazzi with a microphone only to find that they are programmed robots like the Terminator. She is ''rescued'' by a character famous for playing Guerrmo, a merciless drug lord on the HBO show Weeds. This character apparently loves convertibles, dancing girls, and 2% milk. At the end of the video she wakes up from disassociation once again to find that she's back at the press conference. Guerrmo takes the stand with Britney saying ''No more questions'' to the press. Britney turns to him and says ''I had the strangest dream.'' He replies, ''I love dreams'...and sea shells'' He gives Britney a handful of sea shells and leads her away. If you look up sea shells in Fritz Springmeier's book, it explains that the ''the VOW OF SILENCE is a keep quiet program activated by 'THE WALLS HAVE EARS & THE PLANTS HAVE EYES SO YOUR SILENCE IS TANTAMOUNT TO SUCCESS.' This is explained to the victim that the sea shells and plants have the ability to hear and that a sensitive occultist (programmer) can psychically pick up what the plants and sea shells hear.'' In the end Guerrmo turns away from Britney back to the audience to deliver a maniacal laugh and reveal that he is actually a programmed robotic demon handler. She has come the full circle of innocence, victimization, realization and rebellion, but this video clearly illustrates that she is still ultimately under the control of her handlers.
Russell & Katy
More stars like Britney are struggling to break free, but they desperately need our help. Cory Feldman is outing Hollywood for pedophilia. Roseanne Barr is publicly speaking out about trauma based mind control and has become a political advocate of the legalization of marijuana for victims of post-traumatic stress disorder. Recently, British actor and comedian, Russell Brand, has had David Icke and Laura Eisenhower on his talk show. Key people with a large outreach are waking up and allowing truth to enter the mainstream media; but they need our support as they try to enlighten their audience and loved ones and sometimes, they pay a terrible price.
In October 2010 Brand married pop star Katy Perry on top of an elephant in Northern India, the same place he had proposed to her just a short time before. The marriage lasted only fourteen months. Is this just another example of Hollywood's cavalier attitude towards commitment or are there other dark forces at work? In February 2011, Katy embarked on the largest tour of her career. The tour was described as ''Alice in Wonderland'' and ''Wizard of Oz,'' two of the most classic Monarch programming motifs. The year proved to be a tremendous success in the industry for her, but also showed a devastating personal heartbreak. Katy Perry has been identified as one of the top Illuminati princesses/slaves since her debut in I Kissed a Girl, written and produced by pop mogul, Max Martin. Martin has had his hand in just about every slave hit since the mid 90's. He has made superstars out of the Backstreet Boys, N'Synch, Ace of Base, and Britney Spears. He revived the careers of Celine Dion and Bon Jovi. He has written for and produced Kelly Clarkson, Pink, Usher, Taylor Swift, Justin Beiber, Ke$ha and many more.
The film Katy Perry: Part of Me documents the story of Perry's career as gospel singer, Katheryn Hudson, until the present day as global superstar Katy Perry. Scenes from the movie document her last world tour, the California Dreams Tour. Katy talks about her childhood, where her mother and father are traveling Pentecostal preachers, something she oddly has in common with Aleister Crowley whose parents were members of a strict Christian sect called the Plymouth Brethren. Many times, a strict Christian upbringing can bring about a serous backlash like Katy, Crowley or even Marilyn Manson. When Perry first started recording, she was paired with a team called ''The Matrix'' to give her a point of entry into the mainstream. They eventually dropped her and she later went on to sign with Capitol Records.
Before fame, Katy sang gospel and Christian rock until one day she somehow made that age-old deal. According to one interview, Katy states: ''When I was 15, because I grew up in a household where all I ever did was listen to gospel music'...I swear I wanted to be, like, the Amy Grant of music, but it didn't work out, and so I sold my soul to the devil.'' It seems that Katy got the raw end of the deal when the devil turned out to be a literal slave driver. The tour for her album was no joke. It ran a whopping 124 shows in 108 cities in 337 days. The show begins with a video screen introduction which tells the story of a girl named Katy who lives in a colorless world wasting her life cutting meat for a mean old butcher. One night, Perry escapes her dreadful reality by falling asleep
and visits a vibrant candy land in search for her pet cat, Kitty Purry and also for the love of her life, the Baker's Boy. Kitten programming is classic trauma-based mind control and the most widely used program. This programming is specifically for eliminating the learned moral convictions that Katy grew up with. It stimulates the primitive instincts devoid of inhibitions. This program is for developing the ''ultimate prostitute.'' In the first number, Katy appears on stage and starts performing Teenage Dream, while wearing a white dress with hypnotic spinning peppermints. In one interlude, Perry is shown taking a shortcut that leads her into a candy forest where she meets two naughty mimes who join her to perform a song called Ur So Gay. At the end of the performance, Perry takes a bite of their magical brownie. In the next section, a video interlude reveals that the mimes' brownie has transformed Perry into a catwoman, a plan executed by the evil butcher all along. A song called Circle the Drain is performed while Perry battles her dancers who are dressed as butchers before going into her song about love with inter-dimensional reptilian beings, E.T. The show continues with Who Am I Living For in which she is strapped up by her dancers with elastic strings and is left on the ground defeated. The encore begins with the final interlude of the show, which reveals that Perry has been dreaming/disassociating all along, suddenly the Baker's Boy enters her room dressed in a gingerbread costume to deliver cupcakes she has ordered for breakfast.
During her marriage to Russell, most of which she spent on her California Dreams tour, the mandate from Katy was to tour for two weeks and then take three or four days off to spend with Russell. Her handlers sabotaged this at every chance. To see Russell, Katy would fly across the world, to New York, L.A., New Orleans'...wherever Russell was, just to spend time with him. In the documentary, she runs herself ragged trying to get to where he is. She was committed to him and she describes him as the love of her life. Around day 214 of her tour, Katy looks exhausted as she asks to see a calendar so she can look for her ''relationship days,'' days she had planned to spend with Russell. Her handlers tell her that she should be resting on her days off, not trying to see her husband. During her stop in Sao Paulo, Brazil, Katy is shown weeping backstage. Her handlers attempt to cheer her up by giving her a gift from her ''trinkets box'' which upsets her even more, it was a necklace given to her by Russell that she thought she had lost. She is still crying heavily until the moment her platform raises her to the stage. When the peppermints start to spin, she puts on her bravest smile for the crowd.
In December, 2011, Russell filed for divorce in Los Angeles citing irreconcilable differences. The pair met when he was filming Get Him to the Greek, and she did a cameo with him. Katy recalls being so happy to be working with Russell that she was hopping like a bunny. Kevin Smith appeared on Russell Brand's show and told the story from his point of view. One day Russell showed up at Smith's house to work on a project but he could not concentrate because he had just met the most amazing woman. Kevin was so touched he had to give Russell the day off to go and be with her. There is no doubt that Russell and Katy were very much in love, so what went wrong? Given Russell Brand's recent taste in guests it is safe to say that he has at least some sense of reality and a quest for the truth. Is this why Katy's handlers tried so hard to keep them apart? Was Russell feeding her information that the powers didn't want her to be aware of because they needed her to help program the masses? According to interviews Katy Perry was having a profound positive effect on Russell as well'--something the controlling occultists could not tolerate. Katy told Esquire Magazine that she had reformed the former sex addict, who according to rumors used to sleep with up to 80 women a month. ''He was a heroin addict and now he's not. He was addicted to all kinds of things and now he's not. And he basically used to be a professional prostitute and now he's not,'' she said. Brand also seemed to be perfectly comfortable with monogamy. "I am living in a different way at the moment. Regardless of what happens in my current situation," he said. "I am unlikely to be satisfied with the calamitous promiscuity of the preceding five or six years." He went on to say that monogamy is not the only change he's made since getting sober, he was living a much healthier life overall. "I'm living in a disciplined way, do lots of yoga, exercise and transcendental meditation.''
After the divorce, in interviews of Katy, the mere mention of Russell puts her in tears instantly. Her fairy tale had been destroyed. Her 2012 hit, Wide Awake, (another Max Martin song) conceals many references to Monarch programming within its symbolism. It is a story of her thinking she has ''woken up'' and escaped, but in the end we find the story conveys that this is never possible.
At the beginning of the video, we see Katy completing the filming of her single California Gurls, which is based on the board game, Candyland. This candy theme is no doubt part of Katy's personal Monarch programming and Candyland appears in a list of internal structures found in recovering mind controlled slave, Cisco Wheeler. In the beginning of Wide Awake, Katy is fully into her ''pop star'' persona. When she enters her dressing room, she removes her wig, which symbolically represents her switching to another alter. Katy then stares at herself in the mirror for a while until she begins to dissociate from reality and enter a fantasy world. This is the inner-world of her psyche and it is a dark labyrinth. She knows that she won't make it through the maze without the one who has been stripped from her during the programming--her core persona. Through lights emerging from her breasts, she makes a call for help and her core appears before her in the form of a young Katy. It is the ''real her'' before her values and convictions were taken away. The little girl is the personality she had before being subjected to programming. Katy and her core then enter a room designed in classic Monarch trigger decor and her dress is made of butterflies. Through the mirror, she sees the evil paparazzi. Katy breaks the mirror in front of her and leaves the room, a symbolic act representing her attempting to break out of her programming. Then next scene is a ghoulish contrast to the rest of the video. She is now in a cold, sterile mental institution similar to the institution we see in Gaga's Marry the Night. We appear to be out of Katy's head and back to reality. She is completely ''shut down'' sitting in a wheel chair. Is this her MK programming site? While Katy is immobilized, little Katheryn, is ''Wide Awake'' and is determined to get them out of there.
Upon escaping the institution, Katy and her core persona find themselves back in the fantasy land. A cat with hypnotic eyes is a reminder that she is still one of their ''kittens'' and under the control of her handlers. The butterflies on Katy's head also symbolize this. Katy then ''defeats'' her fairy tale prince charming by delivering a powerful punch. Was this supposed to be Russell? At this point, little Katheryn gets on her bike and leaves. The core, authentic persona of Katy says goodbye and leaves in her place only a butterfly. The butterfly leads from the dressing room to a stage, before a performance of the song Teenage Dreams. Katy has also gone full circle and is back at the beginning, in her pop star persona, who she really is now. The real Katy has disappeared and she is merely a puppet of the music industry and a mind controlled slave. Wide Awake represents the false rebellion that so many others like Britney Spears went through, but ended up right back in slavery. At this time, Perry is halfway done with her new album called Schizophrenic. In one final twist, it seems the devil has left his mark on Russell Brand's career as well. According to Aleister Crowley's system of sorcery, the symbol for Russell's show, Brand X, is the actual Mark of the Beast!
Like so many other things in life, when it comes to slavery, it takes one to make one. A true free and sovereign person would have no use for slaves. The programming really is like an infinite train, or a virus, where slaves are programmed to be handlers and programmers to create more slaves. The kings and priest craft of Babylon, were themselves, slaves to their gods. The duties of their religion were an indispensable element of their life. Before their idols they came, bowing as dependents and slaves, to make their offerings of flesh and blood. Girded with burdensome restrictions, they believed that the violation of their rituals would entail disaster upon themselves and their city. On the other hand, they claimed to be as gods before their subjects and captives, demanding from them the same type of servitude and reverence.
We are all victims of trauma-based mind control to varying degrees. The rich, powerful and famous are the worst off. Their opulence and degenerative behavior is promoted in the tabloids so that we can worship and envy their lifestyle, never knowing that to obtain those things, they are yoked in absolute physical and spiritual servitude. The trauma that they endure trickles down and is expressed through their art so that everyone can be traumatized vicariously and they call it entertainment.
The creation of dissatisfaction of life in normal people is another form of trauma. Extravagant weddings, awards ceremonies and vacations are splashed around in the headlines to a population that can barely make ends meet. America's economy is worse than ever, but it is nothing for President Obama and his family to take a trip to Africa that reportedly cost between $60 and $100 million dollars. How do you think a young, struggling single mother feels when she goes through the grocery store checkout and sees that Beyonce and Jay-Z spend $1,000,000 a year to rent nursery space in the basement of the Barclays Sports Center (probably a MK programming site) to have a place for their daughter to play while they watch the games? If you want to live like this, you must sell your soul.
Slavery dominates in Hollywood and many stars are extinguished on the path to global enslavement. Our entertainers and artists need us now more than ever to help them escape their inescapable prison. The more we research and talk about these things, the more we support their liberation and the easier it will be for them to come forward. If you really love your celebrities, share the information and let's release the stars!
Children of the Matrix, David Icke
The Two Babylons, Alexander Hislop
An Empire of Their Own: How the Jews Invented Hollywood, Neil Gabler
The Illuminati Formula to Create an Undetectable Total Mind Control Slave, Fritz Springmeier
Trance-formation of America, Cathy O'Brien & Mark Phillips
Access Denied: For Reasons of National Security, Cathy O'Brien & Mark Phillips
Aleister Crowley and the Hidden God, Kenneth Grant
Check out Mystery Inc. Book Selection
Special Thanks To: Vigilant Citizen for the chronicles of Hollywood mind control and symbolism.
Written by Jamie Hanshaw
Taylor Swift's Look What You Made Me Do Video: Illuminati & MKULTRA Symbolism
Mon, 04 Sep 2017 12:07
Hi, my name is Isaac Weishaupt and I'm your host on IlluminatiWatcher.com!
Today we'll explore and unravel hidden symbols in Taylor Swift's new video for Look What You Made Me Do. We'll see a confluence of concept that emphasize her rebirth into the occult realm of thinking, as well as symbols that suggest there is some mind control programming at play'...
Without further delay, let's get into it'...
I DID have a YouTube version of this video but they took it down. They claim it was a copyright violation but the video is clearly in accordance with Fair Use.
Soooooo f'-- YouTube, I uploaded it to DailyMotion instead. I may start using them instead because YouTube and Google are shutting down folks like myself.
The video starts out with Taylor underground with her arms crossed in the ''X''.
For those of you that have been following my website for the past few years; you'll already recognize the deeply esoteric meaning of the ''X'' in terms of occult dogma. If you're unsure of what I'm talking about, check out my article on the Illuminati Mark of the Beast.
The Reader's Digest version of that article is that the ''X'' symbolizes an occult calling upon forces from the Abyss. A dark, sinister force that can grant the wishes of its user through the goddess of Isis.
Another symbol I've discussed in great depth is that of the bathtub. How curious is it that Taylor goes from the underground burial into the bathtub in this video.
This makes sense when you read my article on the symbolism of the bathtub, which discusses how the bathtub is a cleansing ritual that one takes before crossing over into a new realm.
This is also the allegation behind the curious deaths of the ''diva'' goddess Whitney Houston and her daughter Bobbi Kristina; a topic discussed at great length in my hip hop conspiracy book Sacrifice: Magic Behind the Mic.
When Taylor is in this bathtub, she is shown being showered in diamonds.
This symbol takes us into the realm of MKULTRA mind control, in which some claim diamonds represent the mind controlled victims that are utilized by politicians (referred to as ''Presidential Models'').
We've seen this symbolism in the past from artists like Britney Spears and Beyonce (artists that both have a slew of occult symbolism worth considering, like when Britney shaved her head and said she was ''tired of people plugging things into her''):
Beyonce's Diamond Sex Slave Status'...and that's only the beginning of this video's mind control symbolism'...
Another symbol of MKULTRA mind control is that of the birdcage, which also makes an appearance in this video.
The birdcage represents the breakdown of the mind as well as the alchemical principles of becoming transmutated into a new form through the process represented by various birds (starting with the nigredo or ''blackening'').
We've seen this many times in the past:
Beyonce ''Partition'' video
Miley Cyrus as the black bird
Shia and Sia in Elastic Heart
Staying on the theme of mind control programming; the symbolism of the sex kitten is also referenced as a link to this concept. We see this one as well in Taylor's video.
She then goes into a room to control a slew of slaves as robots'...
'...which eventually breakdown from the trauma.
It's possible that Taylor was mocking Katy Perry since she was using the sex kitten long before Swift.
Or maybe it was Iggy Azalea?'...
Or Azalea Banks?
Or Rita Ora?
Or Meghan Trainor?'...
Nah, I'm just over-analyzing, right?'...
Taking a step back, we can argue the video starts out by showing us Taylor as an initiate of the occult, starting out underground much like they practiced in the ancient Egyptian secret societies that buried initiates underneath the Pyramids of Giza before they were ''resurrected'' as a newly enlightened being in the ways of the occult.
This explains why we see all of Taylor's alter egos- a fracture of the mind where it breaks down into various alters in order to create an amnesic barrier.
This is why we hear the following in the video:
''I'm sorry, the old Taylor can't come to the phone now. Why? Oh, cuz she's dead.''
So it seems that Taylor has gone down the path of so many artists before her. They are ''enlightening'' her into the ways of the occult.
Or perhaps they are just showing the symbolism that suggest it to be so.
Either way, we can add her to a growing list of entertainers that keep these conspiracy theories alive in the minds of so many that have questioned the nature of reality and the higher purposes being used by the ''Illuminati'' to evolve ALL OF US into THEIR WAYS.
If you want to understand what this is all about, check out my new book which breaks the ENTIRE thing down with more examples of occult symbolism in music, film, television and more; using actual occult doctrine with links and citations so you can check them out for yourself (should you not believe in such an insidious agenda)'...
THE DARK PATH (*as of this writing, the book is only available on this exclusive Gumroad link to the PDF ebook; it will be available on paperback, audiobook, iTunes, Amazon, etc. in Sept. 2017!).
Thanks for reading!
Website publisher of IlluminatiWatcher.com, author, and independent researcher; Isaac Weishaupt has been on the leading edge of conspiracy theories surrounding the elusive ''Illuminati'' and its infiltration of the entertainment industry. Using examples of familiar pop culture and works of entertainment, Isaac has been speaking and writing about the occult from a unique perspective that seeks to understand the big agenda while helping others along the way.
Isaac has been a featured guest on Dave Navarro's ''Dark Matter Radio,'' Richard C. Hoagland's ''Other Side of Midnight'', SIRIUS/XM's The All Out Show, The HigherSide Chats, Freeman Fly's ''The Free Zone'', Mark Devlin's ''Good Vibrations'', VICE, COMPLEX Magazine, and many more radio shows and podcasts. His fresh perspective and openly admitted imperfections promotes the rational approach to exploring these taboo subjects and conspiracy theories.
Origins and Techniques of Monarch Mind Control - The Vigilant Citizen
Mon, 04 Sep 2017 11:50
Monarch Programming is a method of mind control used by numerous organizations for covert purposes. It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military and civilians. The methods are astonishingly sadistic (its entire purpose is to traumatize the victim) and the expected results are horrifying: The creation of a mind-controlled slave who can be triggered at anytime to perform any action required by the handler. While mass media ignores this issue, over 2 million Americans have gone through the horrors of this program. This article looks at the origins of Monarch programming and some of its methods and symbolism.
NOTE: This article contains disturbing elements and might triggerMonarchsurvivors.
Monarch programming is a mind-control technique comprising elements of Satanic Ritual Abuse (SRA) and Multiple Personality Disorder (MPD). It utilizes a combination of psychology, neuroscience and occult rituals to create within the slaves an alter persona that can be triggered and programmed by the handlers. Monarch slaves are used by several organizations connected with the world elite in fields such as the military, sex slavery and the entertainment industry. This article will look at the origins of Monarch programming, its techniques and its symbolism.
OriginsThroughout the course of history, several accounts have been recorded describing rituals and practices resembling mind control. One of the earliest writings giving reference to the use of occultism to manipulate the mind can be found in the Egyptian Book of the Dead. It is a compilation of rituals, heavily studied by today's secret societies, which describes methods of torture and intimidation (to create trauma), the use of potions (drugs) and the casting of spells (hypnotism), ultimately resulting in the total enslavement of the initiate. Other events ascribed to black magic, sorcery and demon possession (where the victim is animated by an outside force) are also ancestors of Monarch programming.
It is, however, during the 20th century that mind control became a science in the modern sense of the term, where thousands of subjects have been systematically observed, documented and experimented on.
One of the first methodical studies on trauma-based mind control were conducted by Josef Mengele, a physician working in Nazi concentration camps. He initially gained notoriety for being one of the SS physicians who supervised the selection of arriving prisoners, determining who was to be killed and who was to become a forced labourer. However, he is mostly known for performing grisly human experiments on camp inmates, including children, for which Mengele was called the ''Angel of Death''.
Joseph Mengele, 1935Mengele is infamous for his sordid human experiments on concentration camps prisoners, especially on twins. A part of his work that is rarely mentioned however, is his research on mind control. Much of his research in this field was confiscated by the Allies and is still classified to this day.
''DR. GREEN (Dr. Joseph Mengele): The most significant programmer, perhaps one could give him the title of the father of Monarch Programming was Joseph Mengele, an ex-Nazi Concentration Camp doctor. Thousands of Monarch mindcontrolled slaves in the U.S. had ''Dr. Green'' as their chief programmer.'' [1. Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave]
''Dr. Joseph Mengele of Auschwitz notoriety was the principle developer of the trauma-based Monarch Project and the CIA's MK Ultra mind control programs. Mengele and approximately 5, 000 other high ranking Nazis were secretly moved into the United States and South America in the aftermath of World War II in an Operation designated Paperclip. The Nazis continued their work in developing mind control and rocketry technologies in secret underground military bases. The only thing we were told about was the rocketry work with former Nazi star celebrities like Warner Von Braun. The killers, torturers, and mutilators of innocent human beings were kept discretely out of sight, but busy in U.S. underground military facilities which gradually became home to thousands upon thousands of kidnapped American children snatched off the streets (about one million per year) and placed into iron bar cages stacked from floor to ceiling as part of the 'training'. These children would be used to further refine and perfect Mengele's mind control technologies. Certain selected children (at least the ones who survived the 'training') would become future mind controlled slaves who could be used for thousands of different jobs ranging anywhere from sexual slavery to assassinations. A substantial portion of these children, who were considered expendable, were intentionally slaughtered in front of (and by) the other children in order to traumatize the selected trainee into total compliance and submission''. [2. Ken Adachi, Mind Control the Ultimate Terror]
Mengele's research served as a basis for the covert, illegal CIA human research program named MK-ULTRA.
MK-ULTRADeclassified MK-Ultra documentProject MK-ULTRA ran from the early 1950s to at least the late 1960s, using American and Canadian citizens as its test subjects. The published evidence indicates that Project MK-ULTRA involved the use of many methodologies to manipulate individual mental states and alter brain functions, including the surreptitious administration of drugs and other chemicals, sensory deprivation, isolation, and verbal and physical abuse.
The most publicized experiments conducted by MK-ULTRA involved the administration of LSD on unwitting human subjects, including CIA employees, military personnel, doctors, other government agents, prostitutes, mentally ill patients, and members of the general public, in order to study their reactions.
However, the scope of MK-ULTRA does not however stop. Experiments involving violent electroshocks, physical and mental torture and abuse were used in a systematic matter on many subjects, including children.
Declassified picture of a young MK-ULTRA subject, 1962.Although the admitted goals of the projects were to develop torture and interrogation methods to use on the country's enemies, some historians asserted that the project aimed to create ''Manchurian Candidates'', programmed to perform various acts such as assassinations and other covert missions.
MK-ULTRA was brought to light by various commissions in the 1970s, including the Rockefeller Commission of 1975. Although it is claimed that the CIA stopped such experiments after these commissions, some whistle-blowers have come forth stating that the project simply went ''underground'' and Monarch Programming has become the classified successor of MK-ULTRA.
The most incriminating statement to date made by a government official as to the possible existence of Project MONARCH was extracted by Anton Chaitkin, a writer for the publication The New Federalist. When former CIA Director William Colby was asked directly, ''What about monarch?'' he replied angrily and ambiguously, ''We stopped that between the late 1960s and the early 1970s.'' [3. Anton Chaitkin, ''Franklin Witnesses Implicate FBI and U.S. Elites in Torture and Murder of Children'', The New Federalist]
Monarch ProgrammingAlthough there has never been any official admittance of the existence of Monarch programming, prominent researchers have documented the systematic use of trauma on subjects for mind-control purposes. Some survivors, with the help of dedicated therapists, were able to ''deprogram'' themselves to then go on record and disclose the horrifying details of their ordeals.
Monarch slaves are mainly used by organizations to carry out operations using patsies trained to perform specific tasks, who do not question orders, who do not remember their actions and, if discovered, who automatically commit suicide. They are the perfect scapegoats for high-profile assassinations (see Sirhan Sirhan), the ideal candidates for prostitution, slavery and private movie productions. They are also the perfect puppet performers for the entertainment industry.
''What I can say is I now believe that ritual-abuse programming is widespread, is systematic, is very organized from highly esoteric information which is published no-where, has not been on any book or talk show, that we have found it all around this country and at least one foreign country.
People say, ''What's the purpose of it?'' My best guess is that the purpose of it is that they want an army of Manchurian Candidates, ten of thousands of mental robots who will do prostitution, do movies, smuggle narcotics, engage in international arms smuggling, all sorts of very lucrative things, and do their bidding and eventually the megalomaniacs at the top believe they'll create a Satanic Order that will rule the world''. [4. D. Corydon Hammond, Ph.D]
Monarch programmers cause intense trauma to subjects through the use of electroshock, torture, abuse and mind games in order to force them to dissociate from reality '' a natural response in some people when then are faced with unbearable pain. The subject's ability to dissociate is a major requirement and it is ,apparently, most readily found in children that come from families with multiple generations of abuse. Mental dissociation enables the handlers to create walled-off personas in the subject's psyche, which can then be programmed and triggered at will.
''Trauma-based mind control programming can be defined as systematic torture that blocks the victim's capacity for conscious processing (through pain, terror, drugs, illusion, sensory deprivation, sensory over-stimulation, oxygen deprivation, cold, heat, spinning, brain stimulation, and often, near-death), and then employs suggestion and/or classical and operant conditioning (consistent with well-established behavioral modification principles) to implant thoughts, directives, and perceptions in the unconscious mind, often in newly-formed trauma-induced dissociated identities, that force the victim to do, feel, think, or perceive things for the purposes of the programmer. The objective is for the victim to follow directives with no conscious awareness, including execution of acts in clear violation of the victim's moral principles, spiritual convictions, and volition.
Installation of mind control programming relies on the victim's capacity to dissociate, which permits the creation of new walled-off personalities to ''hold'' and ''hide'' programming. Already dissociative children are prime ''candidates'' for programming''. [5. Ellen P. Lacter, Ph.D., The Relationship Between Mind Control Programming and Ritual Abuse]
Monarch mind control is covertly used by various groups and organizations for various purposes. According to Fritz Springmeier, these groups are known as ''The Network'' and form the backbone of the New World Order.
Origins of the NameMonarch mind control is named after the Monarch butterfly '' an insect who begins its life as a worm (representing undeveloped potential) and, after a period of cocooning (programming) is reborn as a beautiful butterflies (the Monarch slave). Some characteristics specific to the Monarch butterfly are also applicable to mind control.
''One of the primary reasons that the Monarch mind-control programming was named Monarch programming was because of the Monarch butterfly. The Monarch butterfly learns where it was born (its roots) and it passes this knowledge via genetics on to its offspring (from generation to generation). This was one of the key animals that tipped scientists off, that knowledge can be passed genetically. The Monarch program is based upon Illuminati and Nazi goals to create a Master race in part through genetics. If knowledge can be passed genetically (which it is), then it is important that parents be found that can pass the correct knowledge onto those victims selected for the Monarch mind control.'' [6. Ibid.]
''When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique.'' [7. Ron Patton, Project Monarch]
MethodThe victim/survivor is called a ''slave'' by the programmer/handler, who in turn is perceived as ''master'' or ''god.'' About 75% are female, since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject's psyche in multiple and separate alter personas using trauma to cause dissociation.
The following is a partial list of these forms of torture:
1. Abuse and torture
2. Confinement in boxes, cages, coffins, etc, or burial (often with an opening or air-tube for oxygen)
3. Restraint with ropes, chains, cuffs, etc.
5. Extremes of heat and cold, including submersion in ice water and burning chemicals
6. Skinning (only top layers of the skin are removed in victims intended to survive)
8. Blinding light
9. Electric shock
10. Forced ingestion of offensive body fluids and matter, such as blood, urine, feces, flesh, etc.
11. Hung in painful positions or upside down
12. Hunger and thirst
13. Sleep deprivation
14 Compression with weights and devices
15. Sensory deprivation
16. Drugs to create illusion, confusion, and amnesia, often given by injection or intravenously
17. Ingestion or intravenous toxic chemicals to create pain or illness, including chemotherapy agents
18. Limbs pulled or dislocated
19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust
20. Near-death experiences, commonly asphyxiation by choking or drowning, with immediate resuscitation
22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives
23. Forced participation in slavery
24. Abuse to become pregnant; the fetus is then aborted for ritual use, or the baby is taken for sacrifice or enslavement
25. Spiritual abuse to cause victim to feel possessed, harassed, and controlled internally by spirits or demons
26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities
27. Abuse and illusion to convince victims that God is evil, such as convincing a child that God has abused her
28. Surgery to torture, experiment, or cause the perception of physical or spiritual bombs or implants
29. Harm or threats of harm to family, friends, loved ones, pets, and other victims, to force compliance
30. Use of illusion and virtual reality to confuse and create non-credible disclosure [8. Ellen P. Lacter, Ph.D., Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control]
''The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable''a Dr. Jekyll/Mr. Hyde effect. A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can't be done. Charts were made showing how much torture a given body weight at a given age can handle without death.'' [9. Springmeier, op. cit.]
''Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim's mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions''. [10. Patton, op. cit.]
Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an ''internal world'' can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject's psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. [11. Ibid.] Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty .
The movie The Wizard of Oz is used by Monarch handlers to program their slaves. Symbols and meanings in the movie become triggers in the slave's mind enabling easy access to the slave's mind by the handler. In popular culture, veiled references to Monarch programming often use analogies to The Wizard of Oz and Alice in Wonderland.In each case, the slave is given a particular interpretation of the movie's storyline in order to enhance programming. For example, a slave watching The Wizard of Oz is taught that ''somewhere over the rainbow'' is the ''happy place'' dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. Using the movie, programmers encourage slaves to go ''over the rainbow'' and dissociate, effectively separating their minds from their bodies.
''As mentioned before, the hypnotist will find children easier to hypnotize if they know how to do it with small children. One method that is effective is to say to the small children, ''Imagine you are watching a favorite television show.'' This is why the Disney movies and the other shows are so important to the programmers. They are the perfect hypnotic tool to get the child's mind to dissociate in the right direction. The programmers have been using movies since almost day one to help children learn the hypnotic scripts. For children they need to be part of the hypnotic process. If the hypnotist allows the child to make up his own imagery, the hypnotic suggestions will be stronger. Rather than telling the child the color of a dog, the programmer can ask the child. This is where the books and films shown the child assist in steering its mind in the right direction. If the hypnotist talks to a child, he must take extra precaution not to change the tone of his voice and to have smooth transitions. Most of the Disney films are used for programming purposes. Some of them are specifically designed for mind-control.'' [12. Springmeier, op. cit.]
Levels of Monarch ProgrammingThe levels of Monarch Programming identify the slave's ''functions'' and are named after the Electroencephalography (EEG) brainwaves associated with them.
Types of brain waves in EEGRegarded as ''general'' or regular programming, ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victims personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.
BETA is referred to as ''sexual'' programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. ''Cat'' alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denote Kitten programming.
DELTA is known as ''killer'' programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.
THETA '' Considered to the ''psychic'' programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. [13. Patton, op. cit.]
In ConclusionIt is difficult to remain objective when describing the horrors endured by Monarch slaves. The extreme violence, the abuse, the mental torture and sadistic games inflicted on victims by ''notable scientists'' and high-level officials prove the existence of a true ''dark side'' in the powers that be. Despite the revelations, the documents and the whistle-blowers, a great majority of the population ignores, dismisses or avoids the issue altogether. Over two million Americans have been programmed by trauma mind-control since 1947 and the CIA publicly admitted its mind control projects in 1970. Movies such as The Manchurian Candidate have directly referred to the subject, even depicting actual techniques, such as electroshock, the use of trigger words and microchip implementation. Several public figures we see on our TV and movie screens are mind control slaves. Famous people such as Candy Jones, Celia Imrie and Sirhan Sirhan have gone on record and disclosed their mind control experiences'...and yet the general public claims that it ''cannot exist''.
The research and funds invested in project Monarch do not however only apply to mind control slaves. Many of the programming techniques perfected in these experiments are applied on a mass scale through mass media. Mainstream news, movies, music videos, advertisements and television shows are conceived using the most advanced data on human behavior ever compiled. A lot of this comes from Monarch programming.
Britney Spears' "Work B*tch" and Iggy Azalea's "Change Your Life": Two Videos Celebrating Kitten Programming - The Vigilant Citizen
Mon, 04 Sep 2017 11:44
Britney Spears and Iggy Azalea were born on opposite sides of the world, but their videos ''Work B*tch'' and ''Change Your Life'' contain the same exact hidden meaning. Indeed, the symbolism of these videos are both celebrations of the mind control culture of the Illuminati entertainment industry, especially Kitten Programming.
There are plenty of differences between Britney Spears and Iggy Azalea: Britney is from the U.S. while Iggy is from Australia; Britney is a veteran in the music business while Iggy is a newcomer; Britney sings pop while Iggy raps. Despite these surface differences, they both ultimately work for the same bosses who use their sex appeal to push the Illuminati Agenda. Work B*tch and Change Your Life were both released around the same time, they both take place in a ''Las Vegas showgirl'' context and they both convey the same exact twisted message: Being an industry Kitten is great because it will make you rich, famous and even powerful. Both videos are all about glamorizing the Mind-Control culture the occult elite revels in '' although it is all about violent, disgusting and sadistic exploitation.
While on the surface, these videos appear to be about ''empowerment'' (I hate that word), they are actually celebrating the entertainment industry's exploitation of victims of Kitten programming. (If you've never heard of Mind Control or Kitten Programming, read this article first).
Let's look at the insidious symbolism of these videos.
Work B*tchWhen one knows about Britney Spears' actual living conditions and mental state in the past few years, watching Work B*tch becomes somewhat difficult, as its message is ironic in the saddest way possible. In my several articles on Britney, I have described how, since her meltdown, she has become a literal slave, heavily medicated and with absolutely no power over her career, finances or personal life. Britney has been living under the conservatorship of various handlers since 2008, meaning that, during all of these years, she has never gained back control of her life.
Considering these facts, the lyrics of Work B*tch become somewhat disturbing, as they appear to be words a pimp who say to his ''employee''. Or what a Beta Kitten handler would tell an MK slave (like Britney) '...
You wanna hot body
You want a Bugatti
You wanna Maserati
You better work b*tch
You want a Lamborghini
Look hot in a bikini
You better work b*tch
You wanna live fancy
Live in a big mansion
Party in France
You better work b*tch
In the song and video, Britney plays the role of the handler who is yelling stuff at her slaves '... the same kind of stuff she is probably told on a daily basis. Like most of Britney's recent releases, the song is almost ridiculing her condition, as if her handlers are saying: ''Look at what we're doing with her. We're making her sing about her own captivity''. To make things worse, Britney sings the song with a British accent. While, at first glance, this fact might be trivial, remember that in 2008, when Britney went through a gigantic meltdown, she was caught speaking with a British accent '' a symptom of Multiple Personality Disorder, which is itself a symptom of Monarch Programming. Here's a 2008 article about the meltdown and her British accent:
Britney Spears Lapses Into a British AccentBritney Spears has a new accessory to go with her pink wig: a British accent.
In the last several weeks, Spears, 26, has been videotaped numerous times trading her Louisiana twang for U.K. inflections.
''She had the English accent thing going the whole time'' while shopping at Kitson last Thursday, according to a source. ''It didn't stop.''
Even when angry, the accent appears. On an L.A. shopping trip to Macy's on Jan. 13, she screamed at the paparazzi, ''Get out of my G'--'-- face!'' '' in a British accent.
So is it all in fun or has she flipped her pink wig?
''When someone has dissociative identity disorder'' '' formerly known as multiple personality disorder '' ''each identity is split off from the other,'' says L.A. psychologist Renee A. Cohen, who is not treating Spears. ''Each identity would have its own name, memories, behavioral traits and emotional characteristics.''
Cohen says the critical question is: ''When Britney uses the British accent, or appears to take on another identity, does she know she's Britney Spears?''
''Otherwise, she could simply be behaving this way for attention, for sympathy, or any other reason,'' adds Cohen. ''It's foolish to attempt to diagnose her without a formal evaluation.''
One possible influence could be Spears's maternal grandmother, Lilian Bridges, who was originally from England.
Also, Spears's new beau, photographer Adnan Ghalib, grew up in Birmingham, England.
According to paparazzi who trail the singer around the clock, one thing is for sure: the pink wig means something's changing.
''When she puts on the pink wig, you just know something crazy is about to happen,'' said one paparazzo.
'' Source: People.com
Knowing this fact, making Britney sing in a British accent is almost a code for showing that she's embodying another persona. She's a MK handler.
In the video, Britney bosses around Beta Kitten slaves around (they even have kitten ears), whipping them into submission and calling them b*****s. Knowing Britney's condition, this is all rather twisted This scene defines the entire video. Britney is holding Beta Kittens on a leash, controlling them. She stands on an inverted pyramid, perhaps to highlight the fact that Britney is actually NOT at the top of the pyramid. She is actually at the bottom of it, not unlike these leashed kittens.Some might say: ''That's an empowering video! Britney is being empowered! She empowers her fans by seeing her being so empowered!'' Did I mention that I hate the word ''empowered''? To empower means ''to give power''. Watching a video does not give you power. It actually accomplishes the exact opposite. Those who use the word ''empowering'' to describe a music video remind me of a Simpsons line about the word ''proactive'': ''Excuse me, but ''proactive'' and ''paradigm''? Aren't these just buzzwords that dumb people use to sound important?''.
Britney herself admitted that she was not ''empowered'' by the video. Shortly after the release of the video, Britney called a radio station and stated that she was pressured into its highly sexualized concept, something she wants to stop doing ever since she became a mother. However, as stated above, she has no power over her own life or work.
Britney Spears implies she's being pressured to keep sexed-up imageIs Britney Spears being pressured to be overly sexual? That's what the pop star implied during a radio interview.
Spears told a Boston radio show that she wants to be more modest but she's pressured to maintain her sexy image. When discussing her latest music video for ''Work B***h,'' Spears said she made editors cut out a lot of the sexed-up scenes.
''Oh my God we showed way more skin and did way more stuff for the video than what is actually there,'' she said. ''I cut, like, out half the video because I am a mother and because, you know, I have children and it's hard to play sexy mom while you're, you know, being a pop star as well.''
The radio host then asked Spears straight out if she had people pushing her to shoot sexy scenes. She laughed and replied ''Yes.''
She said in her ideal world, her image would be different.
''A lot of sex goes in to what I do'... But sometimes I would just like to bring it back to the old days when it was like one outfit through the whole video, and you're just dancing through the whole video, and there's not that much sex stuff going on and it's just about the dance.''
'' FOX News, Britney Spears implies she's being pressured to keep sexed-up image
Towards the end of the video, we see blindfolded mannequins being brought into the desert. They then explode.
Blindfolded mannequins represent the state of mind controlled slaves. Blowing them up into body parts represent the fragmenting of a slave's psyche into several personas. This image is used in several videos including Beyonce's ''Crazy''.Work B*tch is therefore another tribute to Britney's own mind control status. While her situation is sad and disturbing, however, it doesn't stop new artists from following in her footsteps.
Change Your LifeIggy Azalea is a rapper from Australia who moved to the United States at the age of 16. She soon got signed by Interscope Records and almost immediately embraced that sweet, sweet Illuminati symbolism.
A butterfly hiding one eye: That's Illuminati symbolism 101.Iggy is now signed with Island Def Jam (also home to Rihanna, Kanye West and many others) and her single Change Your Life confirms that she's there to push the Agenda.
Inspired by the movie Showgirls, Change Your Life depicts Iggy as a Vegas dancer and T.I. as a club owner. While this premise is simple, when ones understand the symbolism of the video, it becomes the story of a Beta Kitten being initiated in the Illuminati industry.
The glass of this picture frame is shown broken at the beginning of the video for no apparent reason. This can represent the fractured personality of an MK slave. While not ALL broken glass represents fractured personalities, this image fits with the context of the rest of the video. Iggy lays in bed with a baby tiger '' a reference to Kitten Programming.As its title states, the song is about Iggy apparently being able to ''change your life'' '' going from rags to riches and so forth. Here are the lyrics of the chorus:
Imma change your life, Imma change it
Imma change your life (life)
Once you go great, you never go good
You never go back, even if you could
I'll show you my way, I got that good-good
You never go back, even if you could
Have you ever wished your life would change?
Woke up and you lived your dreams
Baby I could help you make that change
I could show you how to do this thing
While these lyrics are as ''empowering'' as Britney's Work B*tch, the video depicts Iggy as dancer who doesn't like her boss/pimp. In other words, she doesn't have power. Like Britney's song, it appears that the Illuminati is talking THROUGH Iggy, subtly letting young people know that ''changing their lives'' implies being exploited by the Illuminati industry. We once again see a twisted association between ''making it big'' and being an industry Beta kitten and, through symbolism, the video shows Iggy's initiation into the Illuminati industry.
Although Iggy does not appear to like the club owner played by T.I., she nevertheless gets intimate with him on the hood of a car. Why? Because that's what Beta Kittens do. On a more esoteric level, she wears a red dress, the symbolic color of initiation.
Is copulating with her boss/handler a requirement in order for her to ''change her life''? Does this represent the ritual initiation into the Illuminati industry?After the encounter, we see a new Iggy in town.
As if to denote her initiation, she is wearing a top featuring a big All-Seeing Eye. She stands in front of a club named Cheetah, which is another clear reference to Kitten Programming. She sets fire to a car (is it her boss'?) to represent the ''burning'' of her old life. In a scene that is shown in parallel to the one above, Iggy is dressed in white and is arrested by the police. Did she get arrested because she lit that car on fire? If that's the case, why is she dressed differently and why is this scene playing at the same time as the one above (and not after)? In actuality, this scene can represent what happens after initiation in the industry: the ''good girl'' dressed in white ''is taken away for good'' while the Illuminati-girl dressed in black (with an All-Seeing eye) remains.Is that what Iggy means by ''Once you go great, you never go good''? In the words of Iggy, once you're initiated: ''You never go back, even if you could''.
In ConclusionReleased around the same time, Britney's Work B*tch and Iggy's Change Your Life are similar in several ways: They both depict the artists as Vegas dancers, they are both drenched in Kitten Programming imagery, the lyrics are both written from the point of view of those controlling them and, more importantly, both have an psuedo-empowering message that revolves around the glorifying being an industry Beta Kitten.
Sadly, to ''make it'' in the Illuminati industry, stars must sell their bodies and give up their soul. This process is celebrated in these videos and sold to young girls around the world. Furthermore, as the MK symbolism of the videos subtly imply, these artists who ''made it'' are not in control of what's happening '' they're actually slaves to their owners. Britney Spears' life is probably the most transparent case of a pop star under heavy mind control. In a rare moment of clarity, Britney went on record and stated that Work B*tch went too far and was too sexual. However, she did it anyway '... because Beta slaves do not call the shots in their own lives. What did Britney's handlers tell her when she was opposed working on that video? ''You better work b*tch''.
The Sinister Meaning of Taylor Swift's "Look What You Made Me Do" - The Vigilant Citizen
Mon, 04 Sep 2017 11:36
Taylor Swift's Look What You Made Me Do is said to be about her poking fun at her foes and herself. However, the symbolism of the video directly refers to the sinister side of the entertainment industry and its obsession with mind control.
Taylor Swift is not new to the game. Back in 2009, in the article The 2009 VMAs: The Occult Mega-Ritual, I explained how Swift was part of a televised ritual. It was Taylor Swift's ''initiation'' into the entertainment industry. After she was ''humiliated'' by Kanye West during an acceptance speech, Swift re-emerged, dressed in red, as a new and consecrated artist. This is when Swift's work began to be tainted with the codes and symbolism of the occult elite.
Eight years later, at the 2017 VMAs, Taylor Swift premiered her new video Look What You Made Me Do (known as LWYMMD on Twitter). The message of the video couldn't be clearer: She is now a full fledged industry slave. What does that mean? Read on.
Most mass media sources who'll attempt to ''decode'' this video will point out the disses directed at Kanye West, Kim Kardashian, Katy Perry, and her ex-boyfriend Calvin Harris. However, by doing so, they ignore about 90% imagery of the video. There is something else going on.
To those ''in the know'', the video can almost be read as a MK-Symbolism 101. Indeed, the video taps into all of the imagery and concepts that have been discussed on this site for years. Those who rule the entertainment industry need to have this Monarch culture constantly at the forefront of popular culture. Now it is Taylor Swift's turn to bring it in full force, with a video that is breaking records of YouTube and Spotify.
LWYMMD is indeed a blatantly obvious Monarch manifesto. (If you've never heard of Monarch programming, a deviation of the CIA project MKULTRA, read this article first).
The main goal of Monarch is to program slaves to have multiple personas that can be triggered at will. Beta Programming (aka Sex Kitten programming) is used to create sex slaves to be trafficked in the shady elite underworld.
Newsflash: The entertainment industry is full of Beta Kittens. Newsflash: The elite brags about this in mass media using the likes of Taylor Swift.
To understand the true mind state of the video, one doesn't need to look much further than the title: Look What You Made Me Do. Industry handlers own Taylor Swift and they make her do whatever is needed to push their agenda.
The video symbolically describes what happens to stars who get caught up in the higher levels of the occult entertainment industry. Although they are insanely successful, they also become slaves to the industry, with no life of their own. Their sound, image, and even their personality are shaped at will by those behind the scenes.
The video doesn't only portray Swift as a slave of the industry, it also announces that she has paradoxically ''ascended'' to the status of Grand Priestess. Sounds ridiculous? Maybe it would be ridiculous '... if the video wasn't so blatant about it.
Mass media has been hard at word ''decoding'' the video. However, most critics completely miss the main underlying thread of the video.
''The video is good fun, if a little bit mad; it's certainly the most brazen and ambitious pop music video since Beyonc(C) dropped Lemonade in the spring of last year, replete with pyrotechnics and dozens of costume changes. But it doesn't amount to much more than a succession of disconnected images.''
'' The Guardian, Look what you made her do: decoding the disses of Taylor Swift's new video
The video is not a ''succession of disconnected images''. It is actually very linear and coherent. However, in order to understand the narrative at hand, one needs to a thing or two about Monarch programming.
The video begins with a zombie Taylor Swift rising from the dead.
Zombie Swift rises from the grave and starts singing about someone she really doesn't like.I don't like your little games
Don't like your tilted stage
The role you made me play
Of the fool, no, I don't like you
I don't like your perfect crime
How you laugh when you lie
You said the gun was mine
The first verse is said to allude to Kanye West and/or Katy Perry because they both performed on tilted stages. However, when one considers the context of the video, she can also be singing to her handlers who 'play little games' to program her and who push her into ''the roles they make her play''.
We then see zombie Taylor burying the old Taylor.
The old Taylor Swift is dead and being buried by a new Taylor Swift. This is classic Monarch imagery representing the creation of a new persona.This image of Swift's corpse is juxtaposed with the new persona laying in diamonds.
Taylor is bathing in diamonds and jewelry, next to a single dollar bill.In MK programming, diamonds are used to identify Sex Kitten slaves who elevated to a ''higher'' level and to become ''presidential models''.
''For bona-fides & recognition signals, the Monarch slaves wear diamonds to signify they are presidential models, rubies to signify their Oz programming for prostitution, and emeralds to signify their programming to do drug business.''
'' Fritz Springmeier, The Illuminati Symbolism to Create Mind Control Slaves
In the next scene, Taylor is crowned a ''high priestess'' of the industry. How? By recreating the High Priestess tarot card.
Swift sits between two pillars as snakes creep up the stairs. The High Priestess tarot card depicts a woman between the Masonic pillars Joachin and Boaz.In previous articles, I've stated that Madonna was considered a High Priestess of the industry. It appears that Taylor Swift has now achieved this status as well.
But why is this Grand Priestess surrounded with snakes?
Snakes everywhere.Do the snakes represent Swift owning up to her being called a snake by Kim Kardashian on social media? On one level, yes. However, considering the occult context of this scene, snakes also represent a deeper concept. Indeed, in Mystery schools, the serpent is associated with Lucifer '' the light bringer '' the ''savior'' who brought knowledge to Adam and Eve by convincing them to bite the proverbial apple. She's a Grand Priestess in the occult elite's system.
On each pillar is inscribed ET TU BRUTE, a Latin phrase meaning ''And you, Brutus?''. These words were made famous in William Shakespeare's play Julius Caesar, said by Caesar as he was being stabbed to death by his friend and prot(C)g(C) Brutus.
What does that mean in Taylor Swift's context? Is she the Julius Ceasar of the industry who keeps being stabbed by lower individuals? Whatever. Because, in the next scene, we understand that, despite being a High Priestess and akin to Julius Caesar, she is still subjected to the will of her handlers.
As Swift repeats the song's mantra ''Look what you made me do'', she crashes her car. Taylor looks so stylish as she crashes her car. Self-destruction is so hot right now.Why is Taylor Swift singing ''Look what you made me do'' as she crashes her car? Who made her do this? As Swift gets out of the car, things are symbolically clear.
Taylor is dressed in a feline-print coat '' the occult elite's way of identifying Beta Kittens. To make things more obvious, there's a big kitty next to her. She's holding her Grammy trophy, reminding us of the true cost of being under that sweet, sweet limelight.When Swift sings ''look what you made me do'', she is actually singing to the industry that owns her. It controls her rise to success and her downfalls, pushing her to self-destruction (and even death) if needed.
The next scene clearly depicts what being an elite star truly means.
Swift sits on a swing inside a bird cage.Humans stuck in bird cages is a recurrent symbol to identify MK slaves in popular culture. This specific symbol has been identified several times on Vigilant Citizen.
While in the cage, Swift sings:
I don't like your kingdom keys
They once belonged to me
This is blatant MKULTRA vocabulary. Handlers in MK programming obtain the ''keys of the kingdom'' of a slave by taking control of their core persona '' their real self.
Although she is drinking champagne and eating lobster (representing the lavish life), Taylor is stuck behind bars as a bunch of guards watch her every move. She is not free.The next scenes depict Swift as a Beta Kitten who leads a bunch of other kittens.
Here, Swift wears a kitty mask while wearing a Gucci shirt that features a feline head. On the shirt are the words ''blind for love''. MK slaves are indeed blind to their situation and those who control them.In the above scene, Swift and her followers steam money from a streaming company. Is that what actually happened?
In another scene, Swift is the head of an army of girl bots.
Swift speaks to a crowd of young girls as hypnotic kitties flash on the screens.According to mass media, this scene pokes fun at Swift's ''squad'' of models she likes to hang out with. This might be correct on one level. However, the imagery goes much deeper than that.
The girls in the crowd are plastic, lifeless bots. Future beta kittens.As a High Priestess, Swift has power and influence over the next generation of industry bots.
Here, the bots are on the floor, lifeless and dismembered. Once again, this is a classic way of depicting MK slaves who are fractured and powerless. Although Swift lays over them in a position of power, she wears a huge choker/collar, reminding us that she too remains a Beta slave. #squadgoalsThe end of the video depicts the death of the ''old Taylor'' and the birth of yet another persona.
Dressed in black, the new Taylor stands above her previous personalities. As she sings ''Look what you made me do'', Swift dances feverishly. Yes, they make her dance like that. And yes, they make her do that subtle one-eye sign. There's a story behind ''I heart TS'' shirts worn by the dancers but that's some gossipy crap I don't give a crap about.The next scene is another Monarch symbolism classic.
Swift walks away from an exploding car while wearing the Beta Kitten uniform.This scene is yet another Monarch industry clich(C). Need an example? Okay, here's the final scene from Iggy Azalea's video Change Your Life.
Iggy Azalea walks away from a burning car as she is wearing a top featuring a big all-seeing eye (symbol of industry slave). The strip club is called Cheetahs '' a reference to Beta Kitten programming. Read my full article about this video here.Then Taylor says:
''I'm sorry, the old Taylor can't come to the phone right now.''
''Why? Oh 'cause she's dead!''
The video ends with Taylor Swift's multiple personalities arguing with each other.
Over the years and with every album, Swift has switched styles and personalities. In this scene, they all argue with each other, highlighting how they are different and artificially created.At one point the zombie tells the starry-eyed, constantly surprised Swift of the early days:
''Stop acting you're all nice. You are so fake.''
That's the point of it all. Everything about her is fake. She constantly gets re-shaped and re-molded to fit her handlers' will. Which one is the real Swift? Who knows? Oh, her handlers know.
On a more visceral level, LWYMMD is about death, pride, greed, revenge, viciousness, hatred, mockery, power, control, exploitation and boatload of egoism. It is about negativity, destruction and low vibrations. In short, it is a typical product of today's toxic popular culture.
Some might say: ''Bro, you reaching bro. This is about Taylor Swift dissing Kanye, Kim, Katy, Calvin, and others. That's it. I read it on E! Online, so I got the actual 411 bro''. But, bro, think about it for a second. Kanye completely broke down last year and was forcibly sent to a hospital. He reportedly suffered memory loss and still has not resurfaced. The entire Kardashian/Jenner family has been, for years, all about Beta Kitten programming. Katy Perry has been a tool of the elite for years. In short, we are witnessing puppets insulting other puppets. Behind the scenes, the puppet masters are the same. There is no actual beef, just ridiculous, fabricated drama from people living in a toxic cloud.
Like in everything else in history, the truth about LWYMMD lies in the symbolism. Through strong imagery, the video depicts Taylor Swift ascending ranks inside a sinister system bent on control and exploitation. Stars like Swift are at the mercy of the people that control them. And when they are ordered to do something, whether it is constructive or self-destructive, they do it or they break down. And when they do it, all they can say is: ''Look what you made me do.''
'Alt-right' white supremacists have chosen Taylor Swift as their 'Aryan goddess' icon, through no fault of her own - The Washington Post
Tue, 05 Sep 2017 05:09
Taylor Swift (Chris Pizzello/Invision/AP)
Taylor Swift is not a white supremacist. She doesn't identify as a neo-Nazi, and there is no evidence to suggest that, behind closed doors, she might.
That hasn't stopped some white supremacists from the ''alt-right,'' a fringe group of the movement that often uses humor and message boards like 4chan to spread its ideology, from reportedly choosing her '-- ironically or not remains unclear '-- as an icon for their movement. In much the same way Cher or Barbra Streisand can be seen as ''gay icons,'' a series of Internet memes, articles and message board posts have dubbed Swift an ''Aryan goddess.''
It appears to have begun in 2013 when a teenager named Emily Pattinson began overlaying quotes by Adolf Hitler on Pinterest photos of Taylor Swift as a joke, Buzzfeed reported. Swift's lawyer J. Douglas Baldridge, sent Pinterest a stern letter, asking for the images to be removed. It said, in part:
The association of Ms. Swift with Adolf Hitler undisputedly is 'harmful,' 'abusive,' 'ethnically offensive,' 'humiliating to other people,' 'libelous,' and no doubt 'otherwise objectionable.' It is of no import that Ms. Swift may be a public figure or that Pinterest conveniently now argues that the Offending Material is mere satire or parody. Public figures have rights. And, there are certain historical figures, such as Adolf Hitler, Charles Manson and the like, who are universally identified in the case law and popular culture as lightning rods for emotional and negative reaction.
Pinterest refused to take it down, citing parody laws. But those same images now appear on The Daily Stormer, which bills itself as ''the world's most visited alt-right website.''
The site was founded by self-proclaimed white supremacist Andrew Anglin after he realized Internet users were more interested in quick-hit, meme-type content than the long essays on white supremacy he would post on his previous site, ''Total Fascism.''
''My ideology is very simple,'' Anglin told the Los Angeles Times. ''I believe white people deserve their own country.''
The Southern Poverty Law Center dubbed it a ''neo-Nazi website'' and one of the two most popular ''hate sites'' online. Dylann Roof, the alleged shooter in the Charleston church massacre, was active on the site, and the idea of ''white student unions,'' which popped up around the country last November, percolated there.
The idea of Swift as an alt-right pop icon seems to have percolated there as well.
Along with the memes, the Daily Stormer has become home to several pages of articles praising Swift that bear titles like ''Taylor Swift, Avatar of European Imperialism,'' ''Aryan Goddess Taylor Swift: Nazi Avatar of the White European People'' and ''Aryan Goddess Taylor Swift Accused of Racism for Behaving Like an Ape in a Music Video.''
''Taylor Swift is a pure Aryan goddess, like something out of classical Greek poetry,'' Anglin told Vice's Broadly. ''Athena reborn. That's the most important thing.''
Columnist Milo Yiannopoulos explained in Breitbart the alt-right thinks ''Swift is covertly 'red-pilled,' concealing her secret conservative values from the progressive music industry while issuing subtle nods to a reactionary fanbase.''
Yiannopoulos wrote that Swift presents a perfect storm: she's white, blonde and doesn't speak about her politics. Meanwhile, she's drawn criticism regarding race in recent years.
Taylor Swift's big win over Apple Music isn't the first time the pop star has proven her savvy business skills in the music industry. (Nicki DeMarco/The Washington Post)
In Pacific Standard, writer Aaron Bady accused Swift of being ''nostalgic for a time when you could be nostalgic for white supremacy'' after her Africa-set video for ''Wildest Dreams'' came out, which also prompted the NPR headline ''Taylor Swift Is Dreaming Of A Very White Africa.'' Writer Camille Paglia inexplicably referred to her both as a ''Nazi Barbie'' and a ''fascist'' in a December column for The Hollywood Reporter. And, in 2009, a photo circulated the Internet showing her dancing with a man in a white t-shirt bearing a sloppy red swastika.
These are isolated incidents, but white supremacist websites have taken them out of context. For example, in the photograph, Swift wears a shirt with the letters ''JH,'' which someone on the neo-Nazi forum Stormfront claimed means ''Jew Hater.''
If it all seems a little absurd, that might be the point.
The line between purported comedy and drop-dead seriousness is blurred throughout the Swift memes. Take this Facebook page, which includes many of those aforementioned memes. Liked by more than 19,000 people '-- and once removed by Facebook '-- it's titled ''Taylor Swift for Fascist Europe'' and is tagged ''comedian'' but includes comments such as ''Not all races are equal'' and ''Let's show Muslims what a holy war really looks like.''
Its anonymous curator told Vice that Swift's perceived innocence '-- the singer doesn't curse and rarely finds herself in the crosshairs of sexual controversy '-- is partly what makes her an icon in the fascist world.
''Take Kim Kardashian or Miley Cyrus as examples of this: both began their lives with the same Nordic blood that Swift did, but what makes these two degenerates unfit for consideration as fascist icons?'' the curator said. ''It is because, although Aryan in blood, the two are not Aryan in spirit. To be Aryan in spirit is what completes the fascist.''
''It's incredible really that she's surrounded by these filthy, perverted Jews, and yet she remains capable of exuding 1950s purity, femininity and innocence,'' Anglin said. ''She is the anti-Miley.''
The blurred line between ''comedy'' and ''hate speech'' also helps make Daily Stormer so popular.
''I wanted something punchy and funny and enjoyable to read, and something that anybody can get something out of,'' Anglin told the Los Angeles Times. ''A lot of people on the Internet prefer to write long essays, which a lot of people don't read, which have a limited audience.''
The memes can act as Trojan horses for ideology.
''Daily Stormer is a perfect example for me of the influence 4chan has had on the rest of the messaging machine for white supremacy,'' Southern Poverty Law Center's Keegan Hankes told The Daily Beast. And as Caitlin Dewey wrote in The Washington Post, the 4chan style of messaging often involves memes.
In the Daily Beast, Jacob Siegel wrote that Keegan ''sees the style of racism originally perfected on 4Chan's message boards'--where the racism is only as effective as the meme that spreads it'--as a template for Anglin's site.''
If that's the case, then Swift memes can be seen as serious or as jokes, and it doesn't matter.
''A lot of the same images, a lot of the same rhetorical styles are being emulated on Daily Stormer and it's pretty successful,'' Keegan said. ''The website has taken off.''
Swift has not responded again to these claims. In addition to heaping praise on Swift, the site also cheers on Donald Trump, The Post reported.